1 00:00:13,535 --> 00:00:16,581 YOU NEED, I GOT. TWO FOR $1. 2 00:00:18,453 --> 00:00:20,803 SUNGLASSES, TWO PAIR FOR $10. 3 00:00:42,694 --> 00:00:45,784 HEY. WHAT'S UP, BRO? 4 00:00:45,828 --> 00:00:47,482 YOU READY FOR TONIGHT? 5 00:00:47,525 --> 00:00:49,658 SON, I WAS BORN READY. 6 00:00:49,701 --> 00:00:53,009 YOU HAVE THE WALKIES? YEAH, I GOT THEM. 7 00:00:53,053 --> 00:00:56,186 AH. WHAT'S UP? 8 00:00:56,230 --> 00:00:58,449 YOU 100% SURE ON THIS HOUSE? 9 00:00:58,493 --> 00:01:00,234 YES. 10 00:01:11,506 --> 00:01:14,683 DIM THE LIGHTS. 11 00:01:14,726 --> 00:01:17,207 IF THAT ALARM GOES OFF, YOU'D BETTER BE READY TO FLY. 12 00:01:17,251 --> 00:01:19,427 FLY LIKE SUPERMAN. SERIOUSLY, DUDE, 13 00:01:19,470 --> 00:01:21,516 IF YOU SEE ANYBODY, YOU LET ME KNOW. YOU GOT THAT? 14 00:01:21,559 --> 00:01:24,171 YEAH, COLE, I GOT IT. ALL RIGHT? 15 00:01:24,214 --> 00:01:26,651 YOU STONED, T.J.? 16 00:01:26,695 --> 00:01:28,740 NO, MAN. I'M GOOD. 17 00:02:24,927 --> 00:02:27,451 I'M IN. COPY THAT. 18 00:02:56,001 --> 00:02:57,612 MM! 19 00:03:30,166 --> 00:03:31,863 SHIT! 20 00:03:31,907 --> 00:03:33,517 COLE, COLE, WE GOT COMPANY. 21 00:03:35,476 --> 00:03:38,087 DUDE, THEY'RE PULLING IN THE DRIVEWAY. 22 00:03:38,130 --> 00:03:40,524 YEAH, GOOD EYES, ASSHOLE. 23 00:03:43,092 --> 00:03:47,531 YEAH? OKAY, DESSERT WAS FANTASTIC. 24 00:03:47,575 --> 00:03:50,230 THE WINE WAS FANTASTIC. THE WINE WAS AMAZING. 25 00:03:50,273 --> 00:03:52,754 THANK YOU. THE SINGING WAITERS... 26 00:03:52,797 --> 00:03:55,713 YOU DIDN'T LIKE THEM? 27 00:03:57,149 --> 00:03:58,716 I'M SORRY. 28 00:04:00,936 --> 00:04:03,025 I'M THINKING MARGARITAS IN THE HOT TUB. 29 00:04:03,068 --> 00:04:06,550 MM, SOUNDS GOOD TO ME. OKAY. 30 00:04:14,079 --> 00:04:16,343 HONEY, LOOK. 31 00:04:23,872 --> 00:04:25,700 OKAY. 32 00:04:48,070 --> 00:04:50,115 AHH! 33 00:04:53,118 --> 00:04:55,338 AHH! 34 00:05:14,009 --> 00:05:16,664 HOLD IT RIGHT THERE, SIR! 35 00:05:16,707 --> 00:05:19,754 YOU KEEP YOUR HANDS IN THE AIR! 36 00:05:19,797 --> 00:05:21,756 GET ON THE GROUND! 37 00:05:21,799 --> 00:05:23,975 YOU HAVE ANY WEAPONS 38 00:05:24,019 --> 00:05:25,605 YOU HAVE THE RIGHT TO REMAIN SILENT. 39 00:05:25,629 --> 00:05:26,998 ANYTHING YOU SAY CAN AND WILL BE USED 40 00:05:27,022 --> 00:05:28,502 AGAINST YOU IN A COURT OF LAW. 41 00:05:34,856 --> 00:05:37,946 DEIRDRE, HE'S IN THE CONFERENCE ROOM, NO CUFFS. 42 00:05:41,297 --> 00:05:44,518 IT'S BEEN A WHILE, COLE. 43 00:05:46,171 --> 00:05:49,044 I COULD ONLY IMAGINE WHAT YOUR GRANDMOTHER WOULD THINK, 44 00:05:49,087 --> 00:05:51,263 SEEING YOU SITTING HERE IN MY STATION AGAIN. 45 00:05:51,307 --> 00:05:54,484 YEAH, WELL, SHE DIED LAST YEAR. BURGLARY AND INTENT? 46 00:05:54,528 --> 00:05:56,399 SHE WOULD HAVE BEEN VERY PROUD. 47 00:05:56,443 --> 00:05:59,141 THIS IS NOT YOUR LIFE, MAN. YOU THINK I WANT THIS? 48 00:05:59,184 --> 00:06:00,621 WITH A COUNT OF THREE AND TWO, 49 00:06:00,664 --> 00:06:02,318 YOU HAVEN'T DONE MUCH TO PROVE OTHERWISE. 50 00:06:02,362 --> 00:06:03,798 WHO'S GONNA GIVE ME A SECOND CHANCE? 51 00:06:03,841 --> 00:06:05,321 ALL RIGHT, YOU NEED TO LISTEN UP, 52 00:06:05,365 --> 00:06:07,236 'CAUSE I'M ONLY GONNA SAY THIS ONCE. 53 00:06:07,279 --> 00:06:08,716 THERE'S A PROGRAM. 54 00:06:08,759 --> 00:06:11,458 VALLEY SPIRE COLLEGE SOMETIMES WORKS 55 00:06:11,501 --> 00:06:13,242 WITH THE POLICE TO GIVE JUVIES ON THE MEND 56 00:06:13,285 --> 00:06:15,984 AN OPPORTUNITY THEY NORMALLY WOULD NEVER GET. 57 00:06:16,027 --> 00:06:17,681 I'M TALKING PARTIAL SCHOLARSHIP 58 00:06:17,725 --> 00:06:20,945 IN RETURN FOR THE PROMISE OF COMMUNITY SERVICE. 59 00:06:20,989 --> 00:06:24,253 NOW IF YOU TURN A PAGE ON THIS, 60 00:06:24,296 --> 00:06:25,863 MAYBE I'LL SPONSOR YOU. 61 00:06:25,907 --> 00:06:28,997 COLLEGE? I DIDN'T EVEN FINISH HIGH SCHOOL. 62 00:06:29,040 --> 00:06:30,781 YOU COULD GET YOUR G.E.D., 63 00:06:30,825 --> 00:06:32,783 TAKE THE S.A.T.s IN THE SPRING. 64 00:06:32,827 --> 00:06:35,525 IT'S NOT A LOT OF TIME, BUT I COULD COACH YOU. 65 00:06:35,569 --> 00:06:37,397 YOU COULD BE ON CAMPUS IN NO TIME. 66 00:06:37,440 --> 00:06:39,790 LAST TIME I WAS HERE, YOU SAID GUYS LIKE ME DON'T CHANGE. 67 00:06:39,834 --> 00:06:43,228 MAYBE I DON'T WANT TO SEE A KID LIKE YOU GO TO WASTE. 68 00:06:43,272 --> 00:06:45,405 NEED SOME TIME TO THINK IT OVER? 69 00:06:46,928 --> 00:06:48,843 WHERE DO WE START? 70 00:06:51,802 --> 00:06:54,239 WHOO! SHOULDN'T HAVE WENT OUT LAST NIGHT. 71 00:06:54,283 --> 00:06:56,590 ♪ WELCOME TO COLLEGE LIFE, WELCOME TO COLLEGE LIFE ♪ 72 00:06:56,633 --> 00:06:59,462 ♪ AND EVERYONE TELLIN' ME WELCOME TO COLLEGE LIFE ♪ 73 00:06:59,506 --> 00:07:01,943 ♪ ROLLIN' OUTTA BED, GOT CLASS AT 9:00 ♪ 74 00:07:01,986 --> 00:07:04,728 ♪ BUT YET IT'S ALL GOOD, 'CAUSE HEY, IT'S COLLEGE LIFE ♪ 75 00:07:04,772 --> 00:07:07,470 ♪ NOW I DIDN'T THINK IT WAS GONNA BE LIKE THIS ♪ 76 00:07:07,514 --> 00:07:10,430 ♪ AND I'M PRETTY SURE I AIN'T MAKIN' NO DEAN'S LIST ♪ 77 00:07:10,473 --> 00:07:12,997 ♪ BUT ON MY TOP THREE LIST IT'S KINDA OUT OF SEQUENCE ♪ 78 00:07:13,041 --> 00:07:15,565 ♪ SO LET ME BREAK IT DOWN JUST HOW I SEE THIS ♪ 79 00:07:15,609 --> 00:07:18,481 ♪ FIRST I'MA PARTY HARD, SECOND FIND A GIRL... ♪ 80 00:07:18,525 --> 00:07:22,485 WHAT I REALLY TOOK FROM KLIMT WAS THE POWER OF COLOR AND PATTERNS. 81 00:07:22,529 --> 00:07:24,835 ONCE I DISCOVERED IT, I COULDN'T LET IT GO. 82 00:07:24,879 --> 00:07:28,012 A LITTLE OBSESSIVE-COMPULSIVE, BUT HOPEFULLY IN A GOOD WAY. 83 00:07:28,056 --> 00:07:30,101 LADIES, COME ON NOW. 84 00:07:30,145 --> 00:07:31,886 BIG SMILE FOR THE VIDEO YEARBOOK. 85 00:07:31,929 --> 00:07:33,453 YEAH, RIGHT. HEY HEY. 86 00:07:33,496 --> 00:07:35,280 A LITTLE NIP SLIP'S APPRECIATED. 87 00:07:35,324 --> 00:07:36,804 GROSS! NO, THANK YOU. 88 00:07:36,847 --> 00:07:38,588 LADIES. LADIES, COME ON. 89 00:07:38,632 --> 00:07:40,198 ALL RIGHT, WELL, THE NAME IS SHAWN, 90 00:07:40,242 --> 00:07:41,896 AND I'M GONNA BE HERE ALL NIGHT, LADIES. 91 00:07:41,939 --> 00:07:43,463 ALL NIGHT. 92 00:07:49,338 --> 00:07:51,427 THEY GOT SOME BANGIN' HONEYS IN HERE. 93 00:07:51,471 --> 00:07:53,342 COLE, MAN. YO, WHERE YOU BEEN? 94 00:07:53,385 --> 00:07:56,301 DUDE, WORKING A DOUBLE AT THE ZOO. DAMN. 95 00:07:56,345 --> 00:07:57,955 I GUESS IN THE END I WAS JUST GOING FOR 96 00:07:57,999 --> 00:07:59,696 THE BEAUTY OF THE AFTERMATH. 97 00:07:59,740 --> 00:08:01,524 TO ME, THERE'S SOMETHING FAR MORE INTERESTING 98 00:08:01,568 --> 00:08:03,570 ABOUT AN OCEAN RECEDING AFTER THE WAVE BREAKS. 99 00:08:03,613 --> 00:08:05,615 YEAH, I LIKE IT. THANK YOU SO MUCH FOR COMING. 100 00:08:05,659 --> 00:08:07,443 THERE'S REFRESHMENTS AND FOOD IN THE BACK. 101 00:08:07,487 --> 00:08:08,792 LINDSEY! 102 00:08:08,836 --> 00:08:11,621 HI. 103 00:08:11,665 --> 00:08:13,841 YOU LOOK BEAUTIFUL. THANK YOU. 104 00:08:13,884 --> 00:08:15,495 YEAH, OKAY. I'M LIKING THAT. 105 00:08:15,538 --> 00:08:17,192 KEEP IT GOING, Y'ALL. KEEP KISSING. 106 00:08:17,235 --> 00:08:18,889 DON'T BE A BONEHEAD. 107 00:08:18,933 --> 00:08:21,196 IS THAT ANY WAY TO TREAT YOUR VIDEO TECHNICAL DIRECTOR? 108 00:08:21,239 --> 00:08:23,696 WELL, YOU'RE ANNOYING MY FRIENDS WITH YOUR QUESTIONABLE CLOSE-UPS. 109 00:08:23,720 --> 00:08:26,723 LINDSEY, I DON'T TELL YOU HOW TO PAINT, 110 00:08:26,767 --> 00:08:28,769 SO PLEASE DON'T TELL ME HOW TO DIRECT. 111 00:08:28,812 --> 00:08:32,163 OH, I AM SO SORRY TO HURT YOUR ARTISTIC SENSIBILITIES. 112 00:08:32,207 --> 00:08:34,078 I HAVE TO GO MINGLE WITH THE PEOPLE. OKAY. 113 00:08:34,122 --> 00:08:37,038 ALL RIGHT. I'LL BE HERE. 114 00:08:39,562 --> 00:08:41,564 YO, MAN. 115 00:08:41,608 --> 00:08:44,741 SHE IS BANGIN', MY FRIEND. SIMPLY BANGIN'. 116 00:08:44,785 --> 00:08:48,049 DUDE, IF ANY OF THAT ENDS UP ON "GIRLS GONE WHATEVER," 117 00:08:48,092 --> 00:08:50,704 I KNOW WHERE YOU LIVE. I KNOW WHERE YOU LIVE. 118 00:08:50,747 --> 00:08:53,117 CHILL, ALL RIGHT? I GOT THE ANGLES COVERED. THAT'S WHAT I'M AFRAID OF. 119 00:08:53,141 --> 00:08:55,709 WE'LL TALK ABOUT IT LATER. YOU GOT HALF AN HOUR, 120 00:08:55,752 --> 00:08:58,407 THEN WE'RE OUT OF HERE. PLEASE, NOT NOW. 121 00:08:59,843 --> 00:09:03,151 OH, YES. YO, LOOK WHO JUST TOOK CENTER STAGE. 122 00:09:03,194 --> 00:09:06,589 WHO'S THAT? THAT'S DR. WELLER, MAN, CHAIR OF SOCIOLOGY. 123 00:09:06,633 --> 00:09:09,200 SHE'S BEAUTIFUL. Shawn: YEAH. 124 00:09:09,244 --> 00:09:11,681 JOHN WELLER THOUGHT SO, TOO. HE MARRIED HER. DEAN WELLER? 125 00:09:11,725 --> 00:09:13,857 THE ONE AND ONLY. 126 00:09:13,901 --> 00:09:15,946 THAT GUY'S A SQUARE. HE LANDED HER. 127 00:09:15,990 --> 00:09:18,035 WHOA, UH, PREPARE TO ENGAGE. 128 00:09:21,648 --> 00:09:23,345 ARE YOU GETTING SOME NICE SHOTS IN? 129 00:09:23,388 --> 00:09:24,651 I'M EXPLORING NEW VISIONS. 130 00:09:26,348 --> 00:09:28,306 DR. KAY WELLER. COLE HURLEY. 131 00:09:28,350 --> 00:09:30,004 NICE TO MEET YOU. 132 00:09:30,047 --> 00:09:33,050 UM, WHEN ARE YOU DUE BACK? 133 00:09:33,094 --> 00:09:35,618 "WHEN ARE YOU..." 134 00:09:35,662 --> 00:09:37,707 I TOLD YOU NOT TO WEAR THAT SUIT. 135 00:09:37,751 --> 00:09:40,623 YEAH. I'M DOING AN INTERNSHIP AT THE ZOO. 136 00:09:40,667 --> 00:09:42,233 OH. 137 00:09:42,277 --> 00:09:43,626 ARE YOU MAJORING IN ZOOLOGY? 138 00:09:43,670 --> 00:09:45,497 I HAVEN'T PICKED A MAJOR YET. 139 00:09:45,541 --> 00:09:47,369 JUST A FRESHMAN PLAYING THE FIELD. 140 00:09:47,412 --> 00:09:50,024 YOUR FRIEND LINDSEY IS VERY TALENTED. 141 00:09:50,067 --> 00:09:52,635 VERY TALENTED. 142 00:09:52,679 --> 00:09:57,988 THE STAR OF THE SHOW, THE WIND UNDER HIS WINGS. 143 00:09:58,032 --> 00:09:59,472 YOU'RE HER REPRESENTATIVE, I TAKE IT. 144 00:09:59,511 --> 00:10:03,211 SHAWN HADLEY, FILM AND VIDEO. 145 00:10:05,039 --> 00:10:07,824 DR. WELLER, I AM DELIGHTED TO SAY 146 00:10:07,868 --> 00:10:09,913 THAT I'LL BE TAKING YOUR COURSE NEXT SEMESTER. 147 00:10:09,957 --> 00:10:12,307 OH, ARE YOU INTERESTED IN THE METHODS AND PRACTICES 148 00:10:12,350 --> 00:10:14,701 OF HUMAN BEHAVIOR, MR. HADLEY? 149 00:10:14,744 --> 00:10:18,269 SURE. I MEAN THAT AND THE ART OF FEMALE FORM 150 00:10:18,313 --> 00:10:20,794 WAS ALREADY BOOKED UP, SO... 151 00:10:20,837 --> 00:10:23,927 WELL, I'M SURE THAT YOU WILL LEARN SOMETHING 152 00:10:23,971 --> 00:10:27,757 THAT WILL BE HELPFUL TO YOUR CREATIVE ENDEAVORS. 153 00:10:27,801 --> 00:10:29,890 I'M SURE I WILL. 154 00:10:29,933 --> 00:10:32,893 WELL, GENTLEMEN, I'LL LET YOU GET BACK TO YOUR EVENING. 155 00:10:32,936 --> 00:10:35,286 IT WAS NICE TO MEET YOU. YOU TOO. 156 00:10:37,158 --> 00:10:38,942 SHE BEELINED RIGHT UP TO ME, DAWG. 157 00:10:38,986 --> 00:10:40,465 SHE SO WANTS ME. 158 00:10:40,509 --> 00:10:43,294 YO, I'M DEFINITELY TAKING THAT CLASS. 159 00:10:47,690 --> 00:10:49,474 MY ROOMMATE'S GONE FOR THE WEEKEND. 160 00:10:49,518 --> 00:10:51,235 ARE YOU SURE YOU DON'T WANT TO SPEND THE NIGHT? 161 00:10:51,259 --> 00:10:53,870 OH, I HAVE TO BE UP AT 6:00. 162 00:10:53,914 --> 00:10:56,960 I ALREADY TOLD SHAWN I'D HELP HIM WITH THAT VIDEO YEARBOOK THING. 163 00:10:57,004 --> 00:10:59,093 I DON'T KNOW WHY I VOLUNTEERED FOR THAT. 164 00:10:59,136 --> 00:11:02,574 I DO-SO YOU CAN LOOK AT TITS AND ASS ALL DAY. 165 00:11:02,618 --> 00:11:06,013 I WISH. OH, REALLY? 166 00:11:09,364 --> 00:11:11,322 I SAW YOU TALKING TO PROFESSOR WELLER TONIGHT. 167 00:11:11,366 --> 00:11:12,672 OH, YEAH? YOU KNOW HER? 168 00:11:12,715 --> 00:11:14,369 I DO. I TOOK HER CLASS LAST YEAR. 169 00:11:14,412 --> 00:11:16,371 SHE'S REALLY BRILLIANT. YEAH. 170 00:11:16,414 --> 00:11:19,113 THE WHOLE SOCIOLOGY THING'S PRETTY INTERESTING. 171 00:11:19,156 --> 00:11:20,680 MIGHT BE WORTH AN ELECTIVE. 172 00:11:20,723 --> 00:11:22,333 BUT I THOUGHT WE WERE GONNA TRY 173 00:11:22,377 --> 00:11:23,639 AND TAKE SOMETHING TOGETHER. 174 00:11:23,683 --> 00:11:25,641 IT'S JUST AN ELECTIVE. 175 00:11:25,685 --> 00:11:29,514 BESIDES, I'M REALLY NOT INTO THE WHOLE ART THING ANYWAY. 176 00:11:33,040 --> 00:11:36,478 HEY, LOOK AT ME. 177 00:11:41,918 --> 00:11:44,704 IT'S JUST A CLASS. 178 00:11:44,747 --> 00:11:47,097 IT'S NOT LIKE I'M SHIPPING MYSELF OFF TO NOME. 179 00:11:49,099 --> 00:11:52,320 WELL, DO YOU PROMISE TO LET ME PAINT YOU FOR MY NEXT SHOW? 180 00:11:52,363 --> 00:11:55,279 WE'LL SEE. 181 00:12:16,083 --> 00:12:19,260 COLE, COLE, WHOA! OVER HERE, MAN. 182 00:12:19,303 --> 00:12:21,784 WHAT'S UP, DUDE? YO, I GOT A QUESTION FOR YOU, MAN. 183 00:12:21,828 --> 00:12:26,006 WHERE IS ALL THE TALENT AT? IT'S ALL RIGHT THERE. 184 00:12:26,049 --> 00:12:28,704 THIS IS INTRO TO SOCIOLOGY. ARE WE ALL IN THE RIGHT CLASS? 185 00:12:28,748 --> 00:12:30,358 WAIT A MINUTE. 186 00:12:30,401 --> 00:12:32,273 YOU MEAN THIS ISN'T INTRO TO BASKET WEAVING? 187 00:12:32,316 --> 00:12:34,797 AW, DAMN. I GOT SCREWED AGAIN! 188 00:12:37,017 --> 00:12:38,627 MISTER...? HADLEY. 189 00:12:38,670 --> 00:12:41,630 MR. HADLEY, WELL, I DOUBT YOU WERE SCREWED AGAIN. 190 00:12:41,673 --> 00:12:44,154 IN FACT, WITH YOUR DESPERATE ATTEMPTS FOR ATTENTION, 191 00:12:44,198 --> 00:12:46,026 I DOUBT YOU WERE EVER SCREWED AT ALL. 192 00:12:48,855 --> 00:12:51,814 I'D REALLY APPRECIATE IT IF YOU'D COME HERE TO LEARN, 193 00:12:51,858 --> 00:12:53,381 NOT TO MAKE A FOOL OUT OF YOURSELF. 194 00:12:53,424 --> 00:12:54,880 DR. WELLER, I WAS JUST KIDDING AROUND. 195 00:12:54,904 --> 00:12:56,601 WELL, LOOK HOW FAR IT GOT YOU. 196 00:12:56,645 --> 00:12:59,387 ANY MORE JOKES, PLEASE LEAVE THEM AT THE DOOR. 197 00:12:59,430 --> 00:13:01,302 GOD, WHAT A BITCH! I DIDN'T CATCH THAT. 198 00:13:01,345 --> 00:13:05,393 I SAID "SWITCH," AS IN I'M SWITCHING TO ANOTHER CLASS. 199 00:13:05,436 --> 00:13:06,916 YO, YOU KNOW WHAT? I'M OUT. 200 00:13:06,960 --> 00:13:08,352 COME ON, MAN. 201 00:13:17,579 --> 00:13:21,365 OKAY, SOCIOLOGY: THEORIES AND PRACTICES. 202 00:13:21,409 --> 00:13:24,238 PLEASE OPEN YOUR TEXTBOOKS TO PAGE 127. 203 00:13:37,991 --> 00:13:39,514 HERE YOU GO. OH, THANKS. 204 00:13:39,557 --> 00:13:41,211 YOU'RE WELCOME. 205 00:13:41,255 --> 00:13:43,213 DR. WELLER. 206 00:13:43,257 --> 00:13:44,867 COLE HURLEY. 207 00:13:44,911 --> 00:13:46,695 I JUST WANTED TO REINTRODUCE MYSELF. 208 00:13:46,738 --> 00:13:48,828 WE MET A FEW WEEKS AGO. 209 00:13:48,871 --> 00:13:51,874 THE ART SHOW. OH. SO WE DID. 210 00:13:53,310 --> 00:13:55,747 WELL, HAVE A GOOD DAY. 211 00:13:59,186 --> 00:14:00,970 YOU TOO. 212 00:14:10,240 --> 00:14:12,199 WHAT'S UP, MAN? 213 00:14:12,242 --> 00:14:14,984 LOOK WHO'S BACK. 214 00:14:15,028 --> 00:14:17,160 SO HOW'S THE DRAGON LADY? 215 00:14:17,204 --> 00:14:19,597 DUDE, SHE ALREADY ASSIGNED A SIX-PAGE ESSAY 216 00:14:19,641 --> 00:14:22,078 ON HUMAN BEHAVIOR IN PROGRESSIVE SOCIETY. 217 00:14:22,122 --> 00:14:24,298 THIS STUFF'S INTENSE. 218 00:14:24,341 --> 00:14:26,232 MAYBE I SHOULD HAVE BAILED WITH YOU. YEAH, BUT YOU DIDN'T. 219 00:14:26,256 --> 00:14:27,799 OH, BY THE WAY, THANKS FOR HAVING MY BACK. 220 00:14:27,823 --> 00:14:29,956 I APPRECIATE IT. WHAT'S THAT SUPPOSED TO MEAN? 221 00:14:29,999 --> 00:14:32,393 IT MEANS, COLE, THAT THAT CLASS 222 00:14:32,436 --> 00:14:34,395 IS JUST A STUPID TWO-POINT ELECTIVE. 223 00:14:34,438 --> 00:14:36,919 ANY ONE OF MY BOYS BACK HOME GET EMBARRASSED LIKE THAT, 224 00:14:36,963 --> 00:14:39,363 I WOULD'VE HAD HIS BACK. WHAT ABOUT THAT CONVERSATION WE HAD? 225 00:14:39,400 --> 00:14:41,706 "SHE'S A SMOKIN' BETTY, MAN. WE SHOULD TAKE HER CLASS." 226 00:14:41,750 --> 00:14:44,318 PLEASE, THAT WASN'T NO CLASS. MORE LIKE AN AMBUSH. 227 00:14:44,361 --> 00:14:46,189 I DON'T TAKE KINDLY TO GETTING MY ASS GRILLED 228 00:14:46,233 --> 00:14:48,278 BY NO UPTIGHT SKIRT WITH NO SENSE OF HUMOR. 229 00:14:48,322 --> 00:14:49,908 YEAH, MAYBE SHE DOESN'T TAKE KINDLY TO SOME 230 00:14:49,932 --> 00:14:52,021 PUNK-ASS FILM GEEK DISRUPTING HER CLASS. 231 00:14:52,065 --> 00:14:54,197 OKAY, FIRST OF ALL, I AIN'T NO PUNK-ASS FILM GEEK. 232 00:14:54,241 --> 00:14:55,764 WHATEVER, MAN. 233 00:14:55,807 --> 00:14:59,246 I'M GONNA GET SOME AIR. YEAH, DO THAT. 234 00:15:41,810 --> 00:15:43,855 I'M AFRAID MOST OF YOU COULDN'T TELL ME 235 00:15:43,899 --> 00:15:45,901 WHAT RAND WAS THINKING. 236 00:15:45,945 --> 00:15:47,903 PERHAPS YOU DIDN'T RELATE TO HER DEFINITION 237 00:15:47,947 --> 00:15:49,600 OF THE HIGHER DRIVEN STATE... 238 00:15:49,644 --> 00:15:52,342 HER THEORY THAT THE CITIZEN WITH THE SUPERIOR PLAN 239 00:15:52,386 --> 00:15:54,301 WILL RISE ABOVE THE GRADE. 240 00:15:54,344 --> 00:15:56,825 MOST OF YOU DON'T SEEM TO GRASP THE IDEA 241 00:15:56,868 --> 00:15:59,045 OF SOCIOLOGICAL STRUCTURE IN GENERAL. 242 00:15:59,088 --> 00:16:02,004 ARE YOU AWARE THAT WE'RE ALL CURRENTLY EXISTING IN ONE? 243 00:16:02,048 --> 00:16:04,615 MR. HURLEY, PERHAPS YOU'D LIKE TO ENLIGHTEN US 244 00:16:04,659 --> 00:16:06,530 ON WHY WE FUNCTION IN THIS ORDER. 245 00:16:06,574 --> 00:16:09,490 WELL, IN ORDER TO PLAY BY THE RULES, YOU HAVE TO BREAK THEM. 246 00:16:09,533 --> 00:16:12,536 RAND WAS A RUSSIAN EXILE. SHE UNDERSTOOD THAT. 247 00:16:12,580 --> 00:16:16,279 SO YOU THINK THAT A NOBEL PRIZE-WINNING OBJECTIVIST 248 00:16:16,323 --> 00:16:18,934 CHEATED HER WAY THROUGH THE IDEOLOGICAL PARAMETERS? 249 00:16:18,978 --> 00:16:21,608 NO, WHAT I'M SAYING IS THAT EVEN THOUGH YOU'RE RIGHT ABOUT SOCIETY'S RULES, 250 00:16:21,632 --> 00:16:23,567 IT DOESN'T MEAN YOU NECESSARILY HAVE TO ABIDE BY THEM. 251 00:16:23,591 --> 00:16:25,636 I MEAN, TRY FUNCTIONING IN A SOCIETY 252 00:16:25,680 --> 00:16:29,466 THAT'S KILLING YOUR H.M.O. OR SHIPPING JOBS OVERSEAS... 253 00:16:29,510 --> 00:16:31,599 REAL LIFE AS OPPOSED TO THEORY. 254 00:16:31,642 --> 00:16:33,166 MAYBE THEN YOU CAN SEE THE DIFFERENCE 255 00:16:33,209 --> 00:16:35,951 BETWEEN THE VIEWS OF ITS "IDEOLOGICAL PARAMETERS." 256 00:16:35,995 --> 00:16:40,260 NO OFFENSE TO YOU OR RAND. NONE TAKEN. 257 00:16:40,303 --> 00:16:43,828 MY OFFICE, 5:00. 258 00:16:43,872 --> 00:16:46,701 WOULD ANYONE ELSE LIKE TO ELABORATE 259 00:16:46,744 --> 00:16:49,051 ON MR. HURLEY'S THEORY? 260 00:17:04,066 --> 00:17:07,896 MR. HURLEY, COME IN. HAVE A SEAT. 261 00:17:19,429 --> 00:17:21,103 DO YOU HAVE SOMETHING YOU'D LIKE TO CONFESS? 262 00:17:21,127 --> 00:17:24,652 WELL, MY PAPER WASN'T EXACTLY PERFECT, 263 00:17:24,695 --> 00:17:27,829 BUT I CERTAINLY DIDN'T DESERVE AN F. 264 00:17:27,872 --> 00:17:30,440 I ANSWERED EVERY QUESTION YOU... ANSWERED THEM ALL TOO WELL. 265 00:17:30,484 --> 00:17:32,834 I'M SORRY? YOU SHOULD BE. 266 00:17:32,877 --> 00:17:34,662 IS THERE SOMETHING YOU'D LIKE TO SAY TO ME? 267 00:17:34,705 --> 00:17:36,490 YOUR PAPER'S ALREADY SAID IT ALL. 268 00:17:36,533 --> 00:17:40,363 I'M NOT UNDERSTANDING. YOU PLAGIARIZED, MR. HURLEY. 269 00:17:40,407 --> 00:17:44,106 YOU CHEATED. YOU STOLE. 270 00:17:44,150 --> 00:17:46,804 I MEAN, IT'S ONE THING TO BE CHALLENGED IN MY OWN CLASSROOM, 271 00:17:46,848 --> 00:17:48,652 BUT TO BE TAKEN ADVANTAGE OF IS SOMETHING COMPLETELY DIFFERENT. 272 00:17:48,676 --> 00:17:50,939 I DIDN'T MEAN TO TAKE ADVANTAGE OF YOU. 273 00:17:50,982 --> 00:17:53,613 DO YOU REALLY THINK THAT I DON'T KNOW EVERY WEBSITE ON SOCIAL BEHAVIOR? 274 00:17:53,637 --> 00:17:57,467 I MADE A MISTAKE, OKAY? I DIDN'T UNDERSTAND... 275 00:17:57,511 --> 00:17:59,295 YOU DON'T SEEM TO UNDERSTAND MUCH AT ALL. 276 00:17:59,339 --> 00:18:01,776 AND AS FAR AS YOUR COLLEGIATE CAREER IS CONCERNED, 277 00:18:01,819 --> 00:18:04,213 YOU JUST MADE A HUGE DENT IN IT. 278 00:18:06,172 --> 00:18:09,044 I'M SUBMITTING TO THE DEAN'S BOARD TOMORROW. 279 00:18:09,088 --> 00:18:11,786 THE CHARGE IS PLAGIARISM, AND YOU'VE GIVEN ME NO CHOICE 280 00:18:11,829 --> 00:18:14,005 BUT TO RECOMMEND YOUR EXPULSION FROM THIS INSTITUTION. 281 00:18:14,049 --> 00:18:15,920 NO NO NO. YOU CAN'T DO THIS! 282 00:18:15,964 --> 00:18:18,488 I'M ON A PARTIAL SCHOLARSHIP. NOT ANYMORE. 283 00:18:22,536 --> 00:18:25,887 PLEASE, DR. WELLER. DR. WELLER, PLEASE. 284 00:18:25,930 --> 00:18:28,803 WHAT'S DONE IS DONE. PLEASE! 285 00:18:28,846 --> 00:18:31,240 YOU'LL WANT TO REMOVE THAT NOW. 286 00:18:31,284 --> 00:18:33,155 GOOD LUCK WITH WHATEVER YOU SEE FIT 287 00:18:33,199 --> 00:18:35,592 TO DO WITH YOUR LIFE, MR. HURLEY. 288 00:19:01,662 --> 00:19:03,142 DR. WELLER? 289 00:19:03,185 --> 00:19:04,882 NO! 290 00:19:18,983 --> 00:19:21,029 DR. WELLER. 291 00:19:21,072 --> 00:19:22,552 ARE YOU OKAY? 292 00:19:22,596 --> 00:19:24,380 I'M GONNA GET YOU UP. 293 00:19:24,424 --> 00:19:25,903 OKAY. 294 00:19:25,947 --> 00:19:28,254 ARE YOU OKAY? 295 00:19:28,297 --> 00:19:31,561 ALL RIGHT, HE'S GONE. DID YOU GET A LOOK AT HIS FACE? 296 00:19:31,605 --> 00:19:33,041 ALL RIGHT, I'LL TAKE YOU HOME, OKAY? 297 00:19:33,084 --> 00:19:35,565 NO NO, TAKE ME TO MY OFFICE. 298 00:19:35,609 --> 00:19:38,264 ALL RIGHT. OKAY. 299 00:19:38,307 --> 00:19:39,830 ALL RIGHT. 300 00:19:41,267 --> 00:19:42,703 I TEND TO WORK LATE, 301 00:19:42,746 --> 00:19:45,793 SO I ALWAYS KEEP AN EXTRA SET OF CLOTHES. 302 00:19:49,057 --> 00:19:51,755 I'M JUST SO SCARED. 303 00:19:51,799 --> 00:19:53,757 WELL, YOU'RE ALL RIGHT. 304 00:19:53,801 --> 00:19:58,022 I MEAN, I'M HERE AND YOU'RE SAFE. 305 00:19:58,066 --> 00:19:59,546 YOU'RE BLEEDING. 306 00:20:01,504 --> 00:20:03,724 OH YEAH YEAH. 307 00:20:03,767 --> 00:20:05,508 IT COULD HAVE BEEN A LOT WORSE, RIGHT? 308 00:20:05,552 --> 00:20:07,684 SHOULD HAVE SEEN THE OTHER GUY. 309 00:20:10,426 --> 00:20:12,602 THANK YOU. 310 00:20:14,474 --> 00:20:16,911 I'M GLAD I WAS THERE. 311 00:21:05,525 --> 00:21:06,656 SHH! 312 00:21:06,700 --> 00:21:08,005 HELLO? 313 00:21:08,049 --> 00:21:09,572 CHRIST, YOU STILL AT THE OFFICE? 314 00:21:11,313 --> 00:21:14,185 Kay YES, I'M STILL HERE. 315 00:21:14,229 --> 00:21:15,709 I'm just crossing campus. 316 00:21:15,752 --> 00:21:17,711 DO YOU HAVE THE DAMN SYMPHONY TICKETS OR DO I? 317 00:21:17,754 --> 00:21:20,366 UH, I DO. 318 00:21:20,409 --> 00:21:21,628 THAT'S WHAT I THOUGHT. 319 00:21:21,671 --> 00:21:23,194 ALL RIGHT. SEE YOU IN A MINUTE. 320 00:21:23,238 --> 00:21:25,284 AN HOUR TILL CURTAIN. BE READY. OKAY. 321 00:21:28,722 --> 00:21:31,072 THAT WAS MY HUSBAND. 322 00:21:31,115 --> 00:21:34,118 I NEED YOU TO GO. 323 00:21:36,033 --> 00:21:39,341 PLEASE? OKAY. 324 00:21:49,133 --> 00:21:51,222 PARDON ME. 325 00:22:28,259 --> 00:22:29,304 HEY. 326 00:22:33,439 --> 00:22:36,050 HEY. WHAT ARE YOU DOING HERE? 327 00:22:36,093 --> 00:22:38,661 I WANTED TO SEE YOU. 328 00:22:41,185 --> 00:22:43,797 WHAT HAPPENED TO YOUR FACE? 329 00:22:43,840 --> 00:22:46,365 I JUST FELL OFF MY BOARD. 330 00:23:42,508 --> 00:23:47,077 WHAT WAS THAT? I DON'T KNOW. 331 00:23:50,472 --> 00:23:53,301 IT'S LIKE YOU WERE SOMEONE ELSE. 332 00:24:01,004 --> 00:24:05,269 MY DORM'S HAVING A COSTUME PARTY THIS SATURDAY. 333 00:24:05,313 --> 00:24:07,707 YEAH, SHAWN WAS ASKING ABOUT THAT. 334 00:24:09,448 --> 00:24:11,754 WELL, HE'D BETTER LEAVE HIS CAMERA AT HOME. 335 00:24:11,798 --> 00:24:13,060 I DON'T WANT ANY OF MY FRIENDS 336 00:24:13,103 --> 00:24:15,932 ON ONE OF THOSE XXX PORN SITES. 337 00:24:17,543 --> 00:24:19,129 WELL, ISN'T THAT WHAT COLLEGE IS ALL ABOUT? 338 00:24:19,153 --> 00:24:20,676 OH REALLY? 339 00:24:22,678 --> 00:24:25,289 WELL, NEXT TIME, DON'T RIDE SO HARD... 340 00:24:27,161 --> 00:24:29,511 ON THE SKATEBOARD. 341 00:24:29,555 --> 00:24:32,122 ON THE SKATEBOARD? MM-HMM. 342 00:24:38,955 --> 00:24:41,088 IN CONCLUSION, THE REVOLT EXEMPLIFIED 343 00:24:41,131 --> 00:24:43,351 A NEW TYPE OF BEHAVIOR WE HADN'T SEEN BEFORE. 344 00:24:43,394 --> 00:24:45,309 NEXT CLASS, WE'LL DISCUSS 345 00:24:45,353 --> 00:24:48,617 THE SOUTH SIDE OF CHICAGO RIOTS OF 1967. 346 00:24:48,661 --> 00:24:51,272 PLEASE READ CHAPTERS 4 AND 5 TO PREPARE. 347 00:24:51,315 --> 00:24:53,970 THANK YOU. 348 00:24:55,972 --> 00:24:58,279 MR. HURLEY, 349 00:24:58,322 --> 00:24:59,846 MAY I SPEAK WITH YOU FOR A MOMENT? 350 00:25:07,767 --> 00:25:10,117 I'M NOT REALLY SURE WHERE TO BEGIN. 351 00:25:10,160 --> 00:25:11,640 WELL, YOU DON'T HAVE TO. 352 00:25:11,684 --> 00:25:14,121 I WANT YOU TO KNOW I REPORTED THE INCIDENT. 353 00:25:14,164 --> 00:25:16,689 I GAVE THE POLICE THE REQUIRED INFORMATION. 354 00:25:16,732 --> 00:25:19,343 UNFORTUNATELY, I HAVE BEEN ON COLLEGE CAMPUSES 355 00:25:19,387 --> 00:25:22,521 LONG ENOUGH TO KNOW THAT THESE PEOPLE ARE SELDOM CAUGHT. 356 00:25:22,564 --> 00:25:25,088 WELL, DID YOU TELL YOUR HUSBAND? NO. 357 00:25:25,132 --> 00:25:27,351 I DON'T PLAN ON IT. 358 00:25:28,962 --> 00:25:33,532 AND WHAT HAPPENED BETWEEN US WAS WRONG. 359 00:25:33,575 --> 00:25:35,011 IF IT'S ALL THE SAME TO YOU, 360 00:25:35,055 --> 00:25:36,796 I'D LIKE TO PRETEND IT NEVER OCCURRED. 361 00:25:36,839 --> 00:25:40,539 IS THAT WHAT YOU REALLY WANT? YES. 362 00:25:40,582 --> 00:25:42,541 AND SO DO YOU. 363 00:25:42,584 --> 00:25:44,804 THEN I'LL PACK UP MY STUFF. 364 00:25:44,847 --> 00:25:46,936 I DIDN'T TELL THE BOARD. 365 00:25:46,980 --> 00:25:49,069 AND I DON'T HAVE TO, 366 00:25:49,112 --> 00:25:52,072 NOT IF YOU PROMISE NEVER TO CHEAT ME AGAIN. 367 00:25:52,115 --> 00:25:54,770 I DON'T LIKE BEING PLAYED. NOR DO I. 368 00:25:54,814 --> 00:25:57,904 WHAT YOU DID FOR ME... I'LL ALWAYS REMEMBER. 369 00:25:57,947 --> 00:26:00,297 BUT THIS HAS TO END HERE. 370 00:26:00,341 --> 00:26:02,735 THEN I WANT ANOTHER SHOT AT THE HUMAN BEHAVIOR ESSAY. 371 00:26:02,778 --> 00:26:05,017 I WANT TO PROVE TO YOU THAT I CAN DO IT WITHOUT CHEATING. 372 00:26:05,041 --> 00:26:07,280 THE ASSIGNMENT'S FINISHED. I'VE ALREADY TURNED IN THE GRADES. 373 00:26:07,304 --> 00:26:08,958 I DON'T CARE. 374 00:26:09,002 --> 00:26:11,961 LET IT BE EXTRA CREDIT. WHAT WOULD THAT PROVE? 375 00:26:12,005 --> 00:26:15,138 IT'LL PROVE THAT I'M NOT HERE TO PLAY YOU OR ANYONE ELSE, 376 00:26:15,182 --> 00:26:19,316 THAT I-I WANT TO BETTER UNDERSTAND 377 00:26:19,360 --> 00:26:22,711 HUMAN NATURE WITH YOUR HELP. 378 00:26:22,755 --> 00:26:24,931 OKAY. 379 00:26:24,974 --> 00:26:27,542 20 PAGES BY THE END OF THE SEMESTER. 380 00:26:27,586 --> 00:26:31,459 BUT WHAT YOU START YOU HAVE TO FINISH, WHEREVER IT TAKES YOU. 381 00:26:31,502 --> 00:26:32,852 I PROMISE. 382 00:26:32,895 --> 00:26:37,073 AND, COLE, WE HAVE TO BE DISCREET. 383 00:26:37,117 --> 00:26:39,119 WE BOTH HAVE A LOT TO LOSE. 384 00:26:54,177 --> 00:26:59,052 HA HA HA. NOW THE PARTY CAN BEGIN! 385 00:26:59,095 --> 00:27:01,228 Shawn: OH, NICE. Cole: DO VAMPIRES DRINK PUNCH? 386 00:27:01,271 --> 00:27:03,404 ONLY IF IT'S RED, COLE. 387 00:27:03,447 --> 00:27:06,712 HELLO THERE. 388 00:27:06,755 --> 00:27:09,802 I'M GONNA GET SOMETHING TO DRINK. YOU DO THAT. 389 00:27:09,845 --> 00:27:13,501 HEY THERE, PRETTY LADY. 390 00:27:13,544 --> 00:27:15,329 BABY, YOU WISH YOU COULD HANDLE ME. 391 00:27:15,372 --> 00:27:18,941 OH YEAH. WHAT YOU SAID. 392 00:27:18,985 --> 00:27:21,596 OH HELLO, LEGS. 393 00:27:23,729 --> 00:27:25,165 DON'T EVEN THINK ABOUT IT. 394 00:27:25,208 --> 00:27:27,776 LINDSEY? HAND IT OVER. 395 00:27:27,820 --> 00:27:30,344 OH! COME ON, KITTY CAT. 396 00:27:30,387 --> 00:27:32,607 YO, 10 JPEGS-WE'LL GET TO SPLIT THE PROFIT. 397 00:27:32,651 --> 00:27:35,044 THIS KITTY CAT HAS CLAWS. 398 00:27:35,088 --> 00:27:37,196 IF YOU'RE GOOD, I'LL GIVE IT BACK TO YOU AT THE END OF THE NIGHT. 399 00:27:37,220 --> 00:27:40,354 NO NO, LINDSEY. THE NIGHT DOES NOT END. 400 00:27:40,397 --> 00:27:42,878 CHECK IT OUT... 401 00:27:42,922 --> 00:27:46,012 HILLBILLY VAMPIRE DOING DAMAGE. 402 00:27:48,797 --> 00:27:50,843 CLEVER. WHERE'S COLE? 403 00:27:50,886 --> 00:27:52,714 HE'S OVER THERE, GETTING SOMETHING TO DRINK. 404 00:27:52,758 --> 00:27:54,455 ALL RIGHT, I'LL SEE YOU LATER. LATER. 405 00:27:59,068 --> 00:28:00,679 HEY. 406 00:28:02,158 --> 00:28:04,247 I THOUGHT YOU WERE GONNA DRESS UP. 407 00:28:04,291 --> 00:28:06,423 LINDSEY, I'VE BEEN WORKING ON A PAPER ALL NIGHT. 408 00:28:06,467 --> 00:28:08,338 I DIDN'T HAVE TIME TO GO GET A COSTUME. 409 00:28:08,382 --> 00:28:10,558 WHAT'S GOING ON WITH YOU, COLE? NOTHING. 410 00:28:10,601 --> 00:28:13,866 YOU LOOK CUTE. THANKS. 411 00:28:13,909 --> 00:28:16,782 THANKS A LOT. 412 00:28:21,395 --> 00:28:23,484 HEY MAN, IS EVERYTHING COOL AND THE GANG? 413 00:28:23,527 --> 00:28:25,573 SHE'S ALL PISSY 'CAUSE I DIDN'T PLAY DRESS-UP. 414 00:28:25,616 --> 00:28:28,010 I MEAN, COLE, IT IS A COSTUME PARTY, BRO, 415 00:28:28,054 --> 00:28:29,708 AND YOU SHOW UP IN STREET CLOTHES. 416 00:28:29,751 --> 00:28:30,859 YOU HERE TO BUST MY BALLS, TOO? 417 00:28:30,883 --> 00:28:32,536 YO, WHAT IS YOUR PROBLEM? 418 00:28:32,580 --> 00:28:35,365 I'M SICK OF THIS B.S. 419 00:28:35,409 --> 00:28:37,541 HEY, WATCH IT. UP YOURS, DUDE. 420 00:28:37,585 --> 00:28:38,891 OH YEAH? 421 00:28:42,677 --> 00:28:45,941 HEY, YOU ALL RIGHT, MAN? NO, I THINK HE BROKE MY NOSE, DUDE! 422 00:28:46,942 --> 00:28:48,988 COLE. 423 00:28:49,031 --> 00:28:51,120 COLE, WAIT! 424 00:28:51,164 --> 00:28:52,948 COLE! 425 00:29:27,853 --> 00:29:29,376 YOU GOT MY MESSAGE. 426 00:29:29,419 --> 00:29:31,595 I NEVER GAVE YOU MY NUMBER. 427 00:29:31,639 --> 00:29:33,902 I PULLED IT FROM ADMINISTRATION FILES. 428 00:29:38,994 --> 00:29:42,215 THAT'S ILLEGAL. 429 00:29:50,223 --> 00:29:51,833 THIS IS WRONG. 430 00:29:51,877 --> 00:29:53,574 I'M MARRIED. 431 00:29:53,617 --> 00:29:55,881 YOU'RE MY STUDENT. 432 00:29:57,534 --> 00:30:00,189 THEN TELL ME TO STOP. 433 00:30:02,104 --> 00:30:04,411 STOP. 434 00:30:11,853 --> 00:30:13,768 OH, SOMEONE'S COMING. 435 00:30:13,812 --> 00:30:15,901 SOMEONE'S COMING. 436 00:30:18,904 --> 00:30:21,602 DR. WELLER? CHARLIE. 437 00:30:21,645 --> 00:30:23,299 I WAS JUST FINISHING UP. 438 00:30:23,343 --> 00:30:26,694 OH. THOUGHT I HEARD SOMETHING IN HERE. 439 00:30:26,737 --> 00:30:28,043 LATE NIGHT AT THE OFFICE, HUH? 440 00:30:28,087 --> 00:30:30,785 RIGHT THERE. 441 00:30:30,829 --> 00:30:32,265 SORRY? 442 00:30:32,308 --> 00:30:34,528 I SAID, YOU'RE RIGHT THERE. 443 00:30:34,571 --> 00:30:35,746 OH. 444 00:30:37,096 --> 00:30:38,837 ARE YOU OKAY? 445 00:30:38,880 --> 00:30:42,014 UH, STOMACH CRAMPS. I KNOW THAT FEELING. 446 00:30:43,276 --> 00:30:45,365 HEY, CHIEF UDELL WANTS ME 447 00:30:45,408 --> 00:30:48,368 TO CLOSE DOWN THIS FLOOR, SO, UH... 448 00:30:48,411 --> 00:30:50,892 CHARLIE, CAN YOU JUST GIVE ME A FEW MORE MINUTES? 449 00:30:50,936 --> 00:30:53,329 YEAH, SURE. SURE THING. TAKE YOUR TIME. 450 00:30:53,373 --> 00:30:55,114 YOU'RE THE BEST. 451 00:31:15,134 --> 00:31:18,093 COLE, ARE YOU STILL ASLEEP? MM. 452 00:31:18,137 --> 00:31:19,616 MAN, GET YOUR ASS UP! 453 00:31:19,660 --> 00:31:22,315 COLE! 454 00:31:22,358 --> 00:31:25,057 YO, MAN. 455 00:31:25,100 --> 00:31:27,276 GET UP. 456 00:31:27,320 --> 00:31:29,365 SO, WHERE'D YOU X-FILE TO AFTER YOU LEFT THE PARTY? 457 00:31:29,409 --> 00:31:33,369 I WALKED AROUND. DAMN, MUST HAVE BEEN SOME STROLL. 458 00:31:33,413 --> 00:31:36,764 MAN, I SURE HOPE YOU DIDN'T CRUISE ANY TURNPIKE REST AREAS. 459 00:31:38,679 --> 00:31:40,115 COME ON, MAN, LET'S GO TO IHOP. 460 00:31:40,159 --> 00:31:41,745 I WANT TO GIVE YOU ALL THE PERVERTED DETAILS 461 00:31:41,769 --> 00:31:43,771 OF THIS PREMED STUDENT THAT I MET AFTER YOU LEFT. 462 00:31:43,814 --> 00:31:45,773 BOY, WAS SHE FINE. 463 00:31:45,816 --> 00:31:48,732 WHAT IS YOUR PROBLEM? I AM SLEEPING! 464 00:31:48,776 --> 00:31:50,386 YOU KNOW WHAT, COLE? 465 00:31:50,430 --> 00:31:52,103 I DON'T CARE THAT YOU'RE BEING A DICK TO ME. 466 00:31:52,127 --> 00:31:53,302 I REALLY DON'T. 467 00:31:53,346 --> 00:31:54,695 BUT THAT STUFF THAT YOU PULLED 468 00:31:54,738 --> 00:31:56,305 WITH LINDSEY LAST NIGHT WAS NOT COOL. 469 00:31:56,349 --> 00:31:58,786 YOU NEED YOUR HEAD EXAMINED. 470 00:32:23,245 --> 00:32:25,726 THANKS FOR COMING IN, KID. 471 00:32:25,769 --> 00:32:28,947 LIKE I HAD A CHOICE. 472 00:32:28,990 --> 00:32:31,819 SO... 473 00:32:31,862 --> 00:32:32,951 DO YOU MIND? 474 00:32:34,778 --> 00:32:36,302 THANK YOU. 475 00:32:36,345 --> 00:32:38,478 SO I SPOKE TO LAVERNE TILL AT THE ZOO. 476 00:32:38,521 --> 00:32:40,349 SHE SAID YOU'RE ONE OF HER HARDEST WORKERS. 477 00:32:40,393 --> 00:32:42,438 OH, I PAID HER 10 BUCKS TO SAY THAT. 478 00:32:42,482 --> 00:32:44,875 I BET YOU DID. 479 00:32:44,919 --> 00:32:47,182 I'M JUST GLAD YOU'RE FULFILLING YOUR PROMISES... 480 00:32:47,226 --> 00:32:50,359 SOMETHING YOUR GRANDMOTHER WOULD HAVE BEEN VERY PROUD OF. 481 00:32:50,403 --> 00:32:53,275 SO HOW ARE YOUR CLASSES LOOKING THIS SEMESTER? 482 00:32:53,319 --> 00:32:54,798 THEY'RE ALL GOOD. 483 00:32:54,842 --> 00:32:56,931 I'M DECIDING TO DO SOMETHING A LITTLE DIFFERENT. 484 00:32:56,975 --> 00:32:59,890 I'M TAKING A SOCIOLOGY CLASS. SOCIOLOGY? WOW. 485 00:32:59,934 --> 00:33:01,849 THAT'S SOMETHING MY PERPS NEVER LEARNED ABOUT. 486 00:33:04,808 --> 00:33:06,506 ALL RIGHT, WHAT'S GOING ON, COLE? 487 00:33:06,549 --> 00:33:09,639 I DON'T KNOW. I... 488 00:33:09,683 --> 00:33:11,815 I FEEL LIKE I'M ALWAYS PLAYING CATCH-UP. 489 00:33:11,859 --> 00:33:13,295 YEAH, YOU ARE. 490 00:33:13,339 --> 00:33:15,341 THAT'S WHAT HAPPENS WHEN YOU LOSE YEARS. 491 00:33:15,384 --> 00:33:18,344 LOOK, THIS PROGRAM WAS DESIGNED TO GIVE KIDS LIKE YOU A LEG UP, 492 00:33:18,387 --> 00:33:21,260 GET YOU OFF THE STREETS AND INTO A FUTURE. 493 00:33:21,303 --> 00:33:23,001 ARE YOU TELLING ME YOU'D PREFER TO GO BACK? 494 00:33:23,044 --> 00:33:27,092 NO. I'M NOT GOING BACK. GOOD. 495 00:33:27,135 --> 00:33:29,877 THEN YOU'LL DO WHATEVER IT TAKES TO STAY, RIGHT? 496 00:33:29,920 --> 00:33:33,011 YEAH, RIGHT. GOOD. 497 00:33:33,054 --> 00:33:35,578 EVERYTHING RIGHTS ITSELF IN THE END. 498 00:33:35,622 --> 00:33:38,364 OKAY. 499 00:33:47,721 --> 00:33:50,419 Hey, it's Lindsey. 500 00:33:50,463 --> 00:33:52,093 Leave me a message and I'll call you back. 501 00:33:52,117 --> 00:33:53,335 Bye. 502 00:33:53,379 --> 00:33:55,120 HEY, LINDS, IT'S ME. 503 00:33:55,163 --> 00:33:59,037 UM, I-I JUST WANT TO SAY I'M SORRY ABOUT LAST NIGHT. 504 00:33:59,080 --> 00:34:01,517 I-I DON'T KNOW. 505 00:34:01,561 --> 00:34:04,085 I HAVE A LOT GOING ON. 506 00:34:04,129 --> 00:34:07,219 I THINK WE SHOULD TALK. 507 00:34:07,262 --> 00:34:09,569 UH, GIVE ME A CALL BACK WHEN YOU CAN, OKAY? 508 00:34:09,612 --> 00:34:12,398 LOOKING FORWARD TO YOUR ART SHOW THIS WEEKEND. 509 00:34:12,441 --> 00:34:14,487 BYE. 510 00:34:22,930 --> 00:34:26,064 LINDSEY? NOT LINDSEY, MM-MM. 511 00:34:28,327 --> 00:34:30,590 WHO'S THIS? IT'S A FRIEND OF A FRIEND. 512 00:34:30,633 --> 00:34:32,505 I WAS TOLD TO GIVE YOU SOME DIRECTIONS. 513 00:34:32,548 --> 00:34:33,941 DIRECTIONS FOR WHAT? 514 00:34:33,984 --> 00:34:35,377 YOUR FIELD TRIP. 515 00:34:35,421 --> 00:34:37,379 OKAY. 516 00:34:37,423 --> 00:34:40,339 WHERE ARE WE GOING? GET A PEN. 517 00:35:02,274 --> 00:35:05,494 YEAH, HONEY! HEY, BABY! 518 00:35:05,538 --> 00:35:09,672 COME AND LOOK AT ME! HEY, MOMMY! LOOK AT YOU, GIRL! 519 00:35:13,981 --> 00:35:16,288 KEEP YOUR HANDS TO YOURSELF. 520 00:35:23,121 --> 00:35:25,558 SWEETHEART, WHERE HAVE YOU BEEN ALL MY LIFE? 521 00:35:36,830 --> 00:35:39,833 YOU LOOK LOST. 522 00:35:42,575 --> 00:35:44,054 WHAT ARE WE DOING HERE? 523 00:35:44,098 --> 00:35:47,014 YOU WANTED MY GUIDANCE WRITING YOUR PAPER. 524 00:35:47,057 --> 00:35:49,321 THERE'S ONLY SO MUCH YOU CAN LEARN INSIDE A CLASSROOM. 525 00:35:49,364 --> 00:35:51,497 IT'S TIME FOR YOUR REAL EDUCATION... 526 00:35:51,540 --> 00:35:55,805 PERCEPTIONS OF HUMAN BEHAVIOR IN THE FLESH. 527 00:35:57,894 --> 00:36:00,027 WHAT'S YOUR NAME? 528 00:36:03,596 --> 00:36:05,815 YOU KNOW HER? 529 00:36:05,859 --> 00:36:07,382 SHE'S MY TEACHING ASSISTANT... 530 00:36:07,426 --> 00:36:09,776 FOR TONIGHT AT LEAST. 531 00:36:09,819 --> 00:36:12,126 WE'VE MADE A LITTLE ARRANGEMENT. 532 00:36:12,170 --> 00:36:15,608 I WANT YOU TO TAKE A REALLY GOOD LOOK AT THE MEN IN HERE. 533 00:36:15,651 --> 00:36:18,306 THEY ALL HAVE ONE THING IN COMMON. 534 00:36:23,398 --> 00:36:24,791 WHAT, A RAGING HARD 535 00:36:24,834 --> 00:36:28,490 THEY'RE ALL BEING CONTROLLED BY WOMEN. 536 00:36:28,534 --> 00:36:31,406 IT'S A STRIP CLUB. IT'S MORE THAN THAT. 537 00:36:31,450 --> 00:36:35,018 IT'S WHAT THE ENTIRE SCALE OF HUMAN BEHAVIOR IS BASED UPON. 538 00:36:35,062 --> 00:36:38,239 CONTROL IS THE FOUNDATION FOR EVERYTHING ELSE, 539 00:36:38,283 --> 00:36:42,330 AND MOST PEOPLE WILL NEVER UNDERSTAND IT, 540 00:36:42,374 --> 00:36:45,638 WHICH LEADS US TO OUR LITTLE EXERCISE. 541 00:36:55,691 --> 00:36:57,998 Kay: SAY HI TO LEXI. 542 00:36:58,041 --> 00:37:00,130 SHE'S HERE TO TEACH YOU WHAT MOST MEN 543 00:37:00,174 --> 00:37:02,568 WILL NEVER LEARN... 544 00:37:02,611 --> 00:37:04,352 CONTROL. 545 00:37:15,102 --> 00:37:20,586 ♪ HERE YOU'LL FIT IN 546 00:37:21,630 --> 00:37:27,810 ♪ HERE WE ALL WIN 547 00:37:27,854 --> 00:37:34,687 ♪ HERE THERE'S NO SIN 548 00:37:34,730 --> 00:37:40,083 ♪ SO COME INSIDE 549 00:37:44,697 --> 00:37:47,177 ♪ PLEASURE 550 00:37:51,094 --> 00:37:53,445 ♪ PLEASURE 551 00:37:57,623 --> 00:38:00,103 ♪ PLEASURE 552 00:38:04,369 --> 00:38:06,284 ♪ PLEASURE 553 00:38:06,327 --> 00:38:11,071 ♪ HERE THERE'S NO TIME 554 00:38:11,114 --> 00:38:13,334 ♪ YOU'RE EITHER THEIRS 555 00:38:13,378 --> 00:38:17,599 ♪ OR YOU'RE MINE 556 00:38:17,643 --> 00:38:19,688 ♪ A MILLION DOLLARS... 557 00:38:19,732 --> 00:38:22,474 ♪ OR A DIME... 558 00:38:25,651 --> 00:38:29,002 ♪ WHAT'S YOUR PRICE? 559 00:38:29,045 --> 00:38:31,091 NO NO NO NO. 560 00:38:31,134 --> 00:38:34,312 NO NO NO. OOH, MAYBE LINDSEY WANTS A LESSON TOO. 561 00:38:35,617 --> 00:38:38,185 WAIT WAIT WAIT. 562 00:38:38,228 --> 00:38:40,056 This is Cole. Leave a message. NO NO NO. 563 00:38:40,100 --> 00:38:41,928 NO NO, SHE DOESN'T WANT... 564 00:38:48,456 --> 00:38:51,329 OOPS. STOP. 565 00:38:54,941 --> 00:38:57,683 I GUESS CLASS IS DISMISSED. 566 00:39:20,967 --> 00:39:23,491 YO, YOU KEEP THIS UP, 567 00:39:23,535 --> 00:39:25,537 I'M GONNA MAKE A DOCUMENTARY 568 00:39:25,580 --> 00:39:28,540 OF ALL-NIGHT PARTYING STARRING COLE HURLEY. 569 00:39:28,583 --> 00:39:31,238 IT'S NOT EXACTLY WHAT YOU THINK. 570 00:39:31,281 --> 00:39:33,762 OH MAN. YO, TAKE A SHOWER TOO! 571 00:39:33,806 --> 00:39:35,677 YOU SMELL LIKE DAY-OLD SEX. 572 00:39:35,721 --> 00:39:38,419 NO, I DON'T. 573 00:39:38,463 --> 00:39:41,422 DO I? YO, MAN, TRUST ME. 574 00:39:41,466 --> 00:39:43,772 THE NOSE NEVER LIES. 575 00:39:53,086 --> 00:39:54,870 GOOD JOB FROM JUST ABOUT EVERYONE 576 00:39:54,914 --> 00:39:56,698 ON THE LEVITTOWN ESSAY LAST WEEK. 577 00:39:56,742 --> 00:39:58,526 I'M GLAD TO SEE WE'RE ALL BEGINNING 578 00:39:58,570 --> 00:40:03,009 TO UNDERSTAND THE NEGATIVE INFLUENCES OF URBAN SPRAWL... 579 00:40:03,052 --> 00:40:05,577 HOW IT EBBS AND FLOWS, 580 00:40:05,620 --> 00:40:07,753 SPREADING ALONG ITS CHOSEN HOST, 581 00:40:07,796 --> 00:40:12,192 ERECTING MASSIVE STRUCTURES IF NOT PROPERLY TAMED. 582 00:40:13,323 --> 00:40:15,108 ANY QUESTIONS? 583 00:40:26,162 --> 00:40:28,208 MR. HURLEY, COME IN. 584 00:40:31,603 --> 00:40:33,561 SLEEP WELL? 585 00:40:33,605 --> 00:40:36,434 YEAH, I DID. 586 00:40:36,477 --> 00:40:38,044 WHAT WAS THAT LAST NIGHT? 587 00:40:38,087 --> 00:40:41,264 YOUR MIDTERM EXAM. CONGRATULATIONS ON PASSING. 588 00:40:41,308 --> 00:40:44,398 I'M PLEASED TO SEE YOU'RE UNDERSTANDING THE BASIC PRINCIPLES. 589 00:40:44,442 --> 00:40:47,096 YOU LEARN CONTROL, YOU CAN SUCCEED AT ANYTHING. 590 00:40:47,140 --> 00:40:49,098 YOU'LL HAVE TO EXCUSE ME. 591 00:40:49,142 --> 00:40:51,840 I'M LATE FOR LUNCH WITH MY HUSBAND. 592 00:40:55,540 --> 00:40:57,716 KEEP UP THE GOOD WORK. 593 00:41:02,416 --> 00:41:04,418 YEAH, YOU TOO. 594 00:41:12,818 --> 00:41:14,297 OH SHIT! 595 00:41:14,341 --> 00:41:15,951 OH! 596 00:41:20,303 --> 00:41:23,263 IT'S A LITTLE BIT DIFFERENT THAN NORMAL. 597 00:41:23,306 --> 00:41:26,222 CAN YOU EXCUSE ME FOR A SECOND? SURE, NO PROBLEM. 598 00:41:26,266 --> 00:41:28,790 LINDS, HEY, COME... OH. 599 00:41:28,834 --> 00:41:30,333 I'LL BE RIGHT BACK. COME SHOW ME THIS ONE. 600 00:41:30,357 --> 00:41:32,141 I REALLY LOVE IT. OH, THANK YOU SO MUCH. 601 00:41:32,185 --> 00:41:34,883 I'M GLAD YOU LIKE IT. 602 00:41:39,453 --> 00:41:41,803 IT'S SO GOOD. I THINK IT'S ONE OF YOUR BEST, REALLY. 603 00:41:41,847 --> 00:41:44,327 YEAH, THAT'S WHAT I WAS JUST TELLING HER. IT-IT JUST... 604 00:41:44,371 --> 00:41:47,417 WELL, OF COURSE, YOU KNOW, THE COLORS... 605 00:41:47,461 --> 00:41:51,596 IT JUST, LIKE, ALL BLENDS TOGETHER AND IT'S VERY VIBRANT. 606 00:41:51,639 --> 00:41:54,033 ANYWAY, YEAH, SO... 607 00:42:13,618 --> 00:42:15,054 WHAT ARE YOU DOING HERE? 608 00:42:15,097 --> 00:42:18,187 I APPRECIATE THE ARTS. WHAT CAN I SAY? 609 00:42:18,231 --> 00:42:22,757 AND I WAS THINKING 610 00:42:22,801 --> 00:42:26,456 MAYBE WE COULD MAKE SOME ART OF OUR OWN. 611 00:42:38,294 --> 00:42:42,255 ♪ C-C-C-C-C-C-COME COME 612 00:42:42,298 --> 00:42:46,302 ♪ C-C-C-C-C-C-COME COME 613 00:42:46,346 --> 00:42:49,567 ♪ C-C-C-C-C-C-COME COME 614 00:42:49,610 --> 00:42:53,745 ♪ C-C-C-C-C-C-COME COME 615 00:42:53,788 --> 00:42:57,705 ♪ C-C-C-C-C-C-COME COME 616 00:42:57,749 --> 00:43:01,535 ♪ C-C-C-C-C-C-COME COME 617 00:43:01,579 --> 00:43:05,147 ♪ C-C-C-C-C-C-COME COME 618 00:43:05,191 --> 00:43:07,715 ♪ C-C-C-C-C-C-COME 619 00:43:07,759 --> 00:43:11,501 ♪ COME ALIVE 620 00:43:11,545 --> 00:43:15,375 ♪ COME ALIVE 621 00:43:15,418 --> 00:43:19,205 ♪ COME ALIVE 622 00:43:19,248 --> 00:43:22,948 ♪ COME ALIVE 623 00:43:22,991 --> 00:43:25,515 ♪ COME ALIVE... 624 00:43:25,559 --> 00:43:28,083 CAN YOU EXCUSE ME FOR A SECOND? OKAY. 625 00:43:31,043 --> 00:43:32,610 LOOKS LIKE YOU HAD A GREAT TURNOUT. 626 00:43:32,653 --> 00:43:34,437 HOW WOULD YOU KNOW? YOU WEREN'T EVEN HERE. 627 00:43:34,481 --> 00:43:36,091 YEAH, I WAS. 628 00:43:36,135 --> 00:43:38,485 NO, YOU WEREN'T. 629 00:43:38,528 --> 00:43:42,402 I SEE YOU FOR A SECOND AND THEN YOU JUST DISAPPEAR? 630 00:43:42,445 --> 00:43:45,100 WHAT HAPPENED TO YOUR FACE? NOTHING NOTHING. 631 00:43:48,495 --> 00:43:50,976 YOU'RE LYING TO ME. 632 00:43:51,019 --> 00:43:53,195 YOU'VE NEVER LIED TO ME BEFORE. 633 00:43:53,239 --> 00:43:56,590 LOOK, I THOUGHT WE HAD SOMETHING... SOMETHING REAL. 634 00:43:56,634 --> 00:43:59,201 LINDSEY, WE HAVE SOMETHING REAL. 635 00:43:59,245 --> 00:44:01,551 WE'RE IN COLLEGE, FOR CHRIST'S SAKE! ALL RIGHT? 636 00:44:01,595 --> 00:44:04,032 WE SHOULDN'T BE SO TIED DOWN. SO WHAT? 637 00:44:04,076 --> 00:44:06,948 SO AM I JUST ANOTHER LAY? 638 00:44:12,214 --> 00:44:15,043 I AM SO GLAD I NEVER PAINTED YOU 639 00:44:15,087 --> 00:44:18,003 BECAUSE THERE IS NOTHING LEFT TO SEE. 640 00:44:27,577 --> 00:44:30,232 COLE, IS THAT YOU OR ARE WE GETTING ROBBED? 641 00:44:30,276 --> 00:44:32,365 NO, MAN, IT'S ME. 642 00:44:34,367 --> 00:44:37,196 WHAT'S GOING ON? NOT MUCH. 643 00:44:47,510 --> 00:44:50,775 ARE YOU GOOD? NOT REALLY. 644 00:44:50,818 --> 00:44:53,473 OHH. IT'S LINDSEY, HUH? 645 00:44:53,516 --> 00:44:55,518 ACTUALLY, IT'S SOMEONE ELSE. 646 00:44:55,562 --> 00:44:57,782 WAIT A MINUTE. SOMEONE ELSE? 647 00:44:57,825 --> 00:44:59,914 WHO? 648 00:44:59,958 --> 00:45:04,005 WELL, SHE'S, UH... 649 00:45:04,049 --> 00:45:06,181 OLDER. 650 00:45:06,225 --> 00:45:08,880 OLDER? YEAH. 651 00:45:08,923 --> 00:45:12,405 WELL, IS THIS COUGAR BANGIN'? 652 00:45:12,448 --> 00:45:15,408 'CAUSE LISTEN, COLE, I SEE THE WAY YOU LOOK AT LINDSEY, MAN, 653 00:45:15,451 --> 00:45:17,323 AND YOU LOVE THAT GIRL. 654 00:45:17,366 --> 00:45:19,301 LOOK, I'VE BEEN IN A POSITION LIKE THAT BEFORE, MAN. 655 00:45:19,325 --> 00:45:22,023 IT CAN GO REALLY REALLY BAD. 656 00:45:22,067 --> 00:45:23,764 I'M NOT TRYING TO BE YOUR DAD OR ANYTHING, 657 00:45:23,808 --> 00:45:26,332 BUT YOU KIND OF GOT TO MAKE A CHOICE. 658 00:45:26,375 --> 00:45:29,988 YEAH. 659 00:45:30,031 --> 00:45:31,729 I KNOW. 660 00:46:10,376 --> 00:46:12,378 DR. WELLER? 661 00:46:21,822 --> 00:46:23,781 KAY? 662 00:46:25,652 --> 00:46:27,262 IS EVERYTHING OKAY? 663 00:46:31,440 --> 00:46:34,661 WERE YOU ATTACKED AGAIN? 664 00:46:34,704 --> 00:46:37,620 WHO DID THIS? I GOT HOME LATE. HE WAS DRUNK. 665 00:46:37,664 --> 00:46:39,622 I'LL KILL HIM. I'LL KILL HIM! 666 00:46:39,666 --> 00:46:40,972 COLE, N... 667 00:46:41,015 --> 00:46:42,712 NO. 668 00:46:46,455 --> 00:46:48,022 LISTEN TO ME. 669 00:46:48,066 --> 00:46:50,633 IT'S GETTING TOO DANGEROUS. 670 00:46:50,677 --> 00:46:52,766 HE SUSPECTS SOMETHING. WE HAVE TO END IT. 671 00:46:52,810 --> 00:46:54,855 WE CAN'T JUST END THIS. 672 00:46:54,899 --> 00:46:56,422 AFTER EVERYTHING THAT'S HAPPENED? 673 00:46:56,465 --> 00:46:59,642 THE WAY I FEEL FOR YOU... IT'S DRIVING ME CRAZY. 674 00:46:59,686 --> 00:47:03,124 I JUST CAN'T JUST SHUT IT OFF AND NEITHER CAN YOU. 675 00:47:05,300 --> 00:47:08,129 THIS ISN'T THE FIRST TIME IT'S HAPPENED, IS IT? 676 00:47:08,173 --> 00:47:10,305 HAS HE ALREADY CONNED YOU INTO SOME KIND OF AN EXCUSE? 677 00:47:10,349 --> 00:47:12,394 TENNIS LESSON. 678 00:47:16,050 --> 00:47:19,053 HOW MANY TIMES ARE YOU GONNA LET THIS HAPPEN? 679 00:47:19,097 --> 00:47:21,012 HMM? 680 00:47:23,275 --> 00:47:25,494 YOU DON'T THINK I'VE THOUGHT ABOUT LEAVING HIM? 681 00:47:25,538 --> 00:47:28,584 HE'S THE DEAN OF THE SCHOOL. 682 00:47:28,628 --> 00:47:31,283 WE'RE ESTABLISHED HERE. 683 00:47:31,326 --> 00:47:34,590 I CAN'T JUST LEAVE. YES, YOU CAN. 684 00:47:34,634 --> 00:47:36,505 PEOPLE DO IT EVERY DAY. 685 00:47:36,549 --> 00:47:38,768 YOU JUST PACK A BAG AND YOU WALK OUT THE FRONT DOOR. 686 00:47:38,812 --> 00:47:41,293 I HAVE A LIFE HERE. FOR HOW LONG? 687 00:47:43,338 --> 00:47:47,516 CONTROL... WHAT DID YOU TELL ME ABOUT CONTROL, HMM? 688 00:47:47,560 --> 00:47:49,867 WHAT'D YOU TELL ME ABOUT CONTROL, KAY? 689 00:47:49,910 --> 00:47:53,087 THAT MOST PEOPLE WON'T HAVE IT. 690 00:47:53,131 --> 00:47:56,047 AM I IN THAT CATEGORY? NO. 691 00:47:56,090 --> 00:47:59,398 BUT IT'S... IT'S COMPLICATED. AH! I HATE THAT WORD. 692 00:47:59,441 --> 00:48:01,487 I DO TOO, BUT IT'S THE TRUTH. 693 00:48:01,530 --> 00:48:03,532 IT'S JUST YOU AND ME, KAY. 694 00:48:03,576 --> 00:48:05,883 YOU TELL ME WHAT I HAVE TO DO, AND I'LL DO IT. 695 00:48:08,798 --> 00:48:10,583 THERE MAY BE A WAY. 696 00:48:10,626 --> 00:48:12,933 OH, GOD, I CAN'T BELIEVE I'M EVEN SAYING THIS. 697 00:48:12,977 --> 00:48:17,851 SAYING WHAT? THERE'S A PLACE MY HUSBAND KEEPS MONEY, 698 00:48:17,895 --> 00:48:21,637 READY MONEY, IN CASE SOMETHING WERE TO FOLD. 699 00:48:21,681 --> 00:48:23,291 WHY WOULD THAT HAPPEN? 700 00:48:23,335 --> 00:48:25,467 HE MIGHT BE THE DEAN OF A RESPECTED COLLEGE, 701 00:48:25,511 --> 00:48:26,947 BUT IT DOESN'T MEAN HE DOESN'T HAVE 702 00:48:26,991 --> 00:48:29,297 SOME VERY QUESTIONABLE FINANCIAL VENTURES. 703 00:48:29,341 --> 00:48:31,952 NOT EVERY MILLIONAIRE'S KID CAN GET IN HERE. 704 00:48:31,996 --> 00:48:33,519 HE FINDS A WAY TO MAKE IT WORK. 705 00:48:33,562 --> 00:48:35,303 CORRUPT SON OF A BITCH. 706 00:48:35,347 --> 00:48:36,826 HOW MUCH? 707 00:48:36,870 --> 00:48:38,306 I DON'T KNOW. 708 00:48:38,350 --> 00:48:40,874 LIKE I SAID, HE CONTROLS EVERYTHING. 709 00:48:40,918 --> 00:48:44,834 SPECULATE. $500,000, $600,000, A MILLION IN BONDS. 710 00:48:44,878 --> 00:48:48,055 UNTRACEABLE? HOW ELSE DO YOU THINK HE COLLECTS FROM ABROAD? 711 00:48:48,099 --> 00:48:49,796 WHERE DOES HE KEEP HIS STASH? 712 00:48:49,839 --> 00:48:52,538 IN A SAFE BEHIND THE WALL IN HIS STUDY. 713 00:48:52,581 --> 00:48:56,977 UPSTAIRS OR DOWN? COLE, I DON'T EVEN KNOW WHAT I'M SAYING. 714 00:48:57,021 --> 00:48:59,110 MY-MY HEAD IS SPINNING. 715 00:48:59,153 --> 00:49:01,112 I KNOW IT'S SPINNING. 716 00:49:01,155 --> 00:49:03,549 FIRST THE RAPIST, NOW YOUR HUSBAND. 717 00:49:03,592 --> 00:49:05,377 I-I GET IT. 718 00:49:05,420 --> 00:49:07,945 I'VE GOT TO SEE THE SAFE. 719 00:49:27,486 --> 00:49:30,793 COLE. KAY! 720 00:49:30,837 --> 00:49:33,622 OH, LOOK AT YOUR EYE. 721 00:49:33,666 --> 00:49:37,496 JOHN TOLD YOU? OH, YOU NEED MY TENNIS PRO, LOVE. 722 00:49:37,539 --> 00:49:39,977 THOSE ACES NEVER HAPPEN ON HIS COURT. 723 00:49:40,020 --> 00:49:43,197 I'LL THINK ABOUT IT. THANK YOU, FLORENCE. 724 00:49:43,241 --> 00:49:44,764 THE COURT'S NOT THE PROBLEM. 725 00:49:44,807 --> 00:49:46,984 JUST THE PLAYER. 726 00:49:47,027 --> 00:49:48,811 JOHN WELLER. COLE HURLEY. 727 00:49:48,855 --> 00:49:52,380 COLE IS ONE OF MY BEST AND BRIGHTEST. REALLY? 728 00:49:52,424 --> 00:49:55,122 ONLY TWO WEEKS INTO THE SECOND SEMESTER... THAT'S QUITE A CHARGE. 729 00:49:55,166 --> 00:49:57,907 WELL, IT'S THE TRUTH. WHAT'S YOUR MAJOR? 730 00:49:57,951 --> 00:50:00,084 I HAVEN'T DECIDED YET. WELL, DON'T WAIT TOO LONG. 731 00:50:00,127 --> 00:50:02,303 YOU'RE YOUNG, BUT TIME SNEAKS UP ON YOU. 732 00:50:02,347 --> 00:50:06,090 WE ALL KNOW THAT TOO WELL, DON'T WE, DARLING? 733 00:50:06,133 --> 00:50:08,179 HELP YOURSELF TO A DRINK, HORS D'OEUVRES 734 00:50:08,222 --> 00:50:10,442 WHEREVER YOU CAN SNATCH THEM UP. ENJOY. 735 00:50:10,485 --> 00:50:12,661 KAY. 736 00:50:14,141 --> 00:50:16,187 MALBEC, HOW NICE. 737 00:50:16,230 --> 00:50:18,885 MAKE YOURSELF AT HOME. I WILL. 738 00:51:14,462 --> 00:51:15,681 MAY I HELP YOU? 739 00:51:15,724 --> 00:51:18,684 JUST LOOKING FOR THE BATHROOM. 740 00:51:18,727 --> 00:51:21,948 YOU LOOK FAMILIAR. HAVE WE MET? 741 00:51:21,991 --> 00:51:24,081 I GO TO VALLEY SPIRE. 742 00:51:24,124 --> 00:51:26,344 THAT'S NOT IT. 743 00:51:26,387 --> 00:51:28,259 I THOUGHT I HEARD VOICES. 744 00:51:28,302 --> 00:51:30,391 COLE, THIS IS WES UDELL, 745 00:51:30,435 --> 00:51:32,176 HEAD OF CAMPUS SECURITY FOR VALLEY SPIRE. 746 00:51:32,219 --> 00:51:35,004 I USED TO BE A COP. HMM. 747 00:51:35,048 --> 00:51:38,138 IS EVERYTHING OKAY? YEAH. 748 00:51:38,182 --> 00:51:40,836 THE YOUNG MAN WAS LOST. 749 00:51:40,880 --> 00:51:43,491 LOOKING FOR THE, UH, POTTY? 750 00:51:43,535 --> 00:51:46,538 YEAH. IT'S JUST DOWN THE HALL. I CAN SHOW YOU. 751 00:51:47,843 --> 00:51:49,410 YEAH, THANKS, MAN. 752 00:51:49,454 --> 00:51:51,891 DON'T MENTION IT. 753 00:52:01,509 --> 00:52:03,424 WELL, WHAT DID YOU THINK ABOUT IT? 754 00:52:03,468 --> 00:52:06,558 YOU KNOW, I THINK WE SHOULD INVESTIGATE MORE. 755 00:52:06,601 --> 00:52:09,517 LEAVING SO SOON? 756 00:52:09,561 --> 00:52:12,520 I WAS JUST GONNA GO HOME AND STUDY, 757 00:52:12,564 --> 00:52:14,522 FINISH THE PROJECT. 758 00:52:14,566 --> 00:52:16,785 RIGHT. HOW'S IT COMING? 759 00:52:16,829 --> 00:52:18,961 GOOD. IT'S ALL COMING TOGETHER. 760 00:52:20,398 --> 00:52:22,661 WELL, LET ME KNOW IF YOU NEED ANY HELP. 761 00:52:22,704 --> 00:52:25,794 KAY, COME SHOW AMY HOW YOU CAN'T RETURN THAT BACKHAND. 762 00:52:28,319 --> 00:52:31,583 THANKS FOR THE WINE. GOOD NIGHT. 763 00:52:31,626 --> 00:52:35,239 SO I'M TRYING TO TELL HER THAT WHEN YOU USE A FOREHAND, 764 00:52:35,282 --> 00:52:39,068 YOU'VE GOT TO... YOU'VE GOT TO GO FOLLOW THROUGH. 765 00:52:47,642 --> 00:52:49,601 WHAT KIND OF PLANE DOES YOUR HUSBAND HAVE? 766 00:52:49,644 --> 00:52:53,082 A BEECHCRAFT DEBONAIR. 767 00:52:53,126 --> 00:52:55,563 THERE'S MORE PICTURES OF THAT PLANE THAN THERE ARE OF YOU. 768 00:52:55,607 --> 00:52:57,696 WE'RE BOTH TROPHIES. 769 00:52:57,739 --> 00:53:00,612 THE SAFE'S BEHIND THE BIG PAINTING 770 00:53:00,655 --> 00:53:02,570 IN THE STUDY, ISN'T IT? 771 00:53:02,614 --> 00:53:04,616 YEAH. 772 00:53:04,659 --> 00:53:06,618 I NEED TO TELL YOU SOMETHING. 773 00:53:06,661 --> 00:53:09,011 I'M NOT THE PERFECT COLLEGE STUDENT YOU THINK I AM. 774 00:53:09,055 --> 00:53:13,015 I KNOW A THING OR TWO ABOUT BREAKING AND ENTERING. 775 00:53:13,059 --> 00:53:14,756 I, UH... 776 00:53:14,800 --> 00:53:16,802 I'M A LITTLE ASHAMED TO ADMIT THAT. 777 00:53:16,845 --> 00:53:19,674 LOOK, YOU-YOU DON'T HAVE TO TELL ME THIS. 778 00:53:19,718 --> 00:53:22,373 NO NO NO, I DO NEED TO TELL YOU THIS. 779 00:53:24,113 --> 00:53:26,551 I WANT TO BE STRAIGHT WITH YOU. 780 00:53:26,594 --> 00:53:29,467 'CAUSE IF I'M GONNA DO THIS, 781 00:53:29,510 --> 00:53:32,644 I WANT YOU TO KNOW IT'S NOT FOR THE MONEY; IT'S FOR YOU. 782 00:53:32,687 --> 00:53:34,385 I DON'T WANT YOU TO DO ANYTHING. 783 00:53:34,428 --> 00:53:37,649 I'M ALREADY HALFWAY THERE. 784 00:53:37,692 --> 00:53:40,173 ALL I NEED TO KNOW IS ABOUT THE SECURITY. 785 00:53:40,217 --> 00:53:43,307 JUST TELL ME. 786 00:53:43,350 --> 00:53:46,310 THE HOME HAS AN ALARM SYSTEM. 787 00:53:46,353 --> 00:53:48,616 I HAVE THE CODE. 788 00:53:48,660 --> 00:53:51,271 THE SAFE IN THE STUDY IS FIVE DIGITS. 789 00:53:52,664 --> 00:53:54,143 DO YOU KNOW THE NUMBERS? 790 00:53:54,187 --> 00:53:57,625 WHAT ELSE? THE DECAL OF HIS PLANE. 791 00:53:57,669 --> 00:54:01,325 SECURITY CAMERAS? NONE. 792 00:54:01,368 --> 00:54:04,328 BUT THE ALARM HAS TO BE DISENGAGED WITHIN 30 SECONDS 793 00:54:04,371 --> 00:54:06,765 OR IT ALERTS CAMPUS SECURITY. 794 00:54:06,808 --> 00:54:09,289 CHIEF UDELL. 795 00:54:09,333 --> 00:54:12,423 NOT THE FRIENDLIEST HOMBRE. YEAH, HE SCARES ME. 796 00:54:12,466 --> 00:54:14,642 HE LOOKS OUT FOR MY HUSBAND 797 00:54:14,686 --> 00:54:17,254 LIKE A BODYGUARD WITH A LICENSE TO KILL. 798 00:54:17,297 --> 00:54:20,300 HE'S AN EX-COP. I KNOW THE TYPE. 799 00:54:20,344 --> 00:54:23,825 BABY, YOU DON'T HAVE TO DO THIS. 800 00:54:23,869 --> 00:54:26,219 WE CAN DO THIS. 801 00:54:38,405 --> 00:54:41,060 WE CAN DO IT ON SATURDAY NIGHT. 802 00:54:42,540 --> 00:54:45,717 OH, I CAN'T, I CAN'T, I CAN'T. 803 00:54:47,371 --> 00:54:50,112 I HAVE A LECTURE IN SANTA ROSA. 804 00:54:50,156 --> 00:54:52,506 BUT THAT... THAT'S PERFECT. THAT'S A GREAT ALIBI. 805 00:54:52,550 --> 00:54:55,335 MY HUSBAND WILL BE HOME ALL WEEKEND. 806 00:54:55,379 --> 00:54:56,815 IT DOESN'T MATTER. 807 00:54:56,858 --> 00:54:58,947 I'LL BE IN AND OUT IN FIVE MINUTES. 808 00:54:58,991 --> 00:55:01,012 HE WON'T EVEN KNOW THE MONEY'S GONE TILL THE MORNING. 809 00:55:01,036 --> 00:55:04,779 AND THEN WE'LL MEET HERE ON SUNDAY. 810 00:55:04,823 --> 00:55:07,086 HAVE YOUR BAGS PACKED. 811 00:55:07,129 --> 00:55:08,609 OKAY? 812 00:55:14,093 --> 00:55:17,966 OKAY. OKAY. 813 00:55:18,010 --> 00:55:20,360 I LOVE YOU, KAY. 814 00:57:45,374 --> 00:57:48,160 TONY, COME WITH ME! YOU, COME WITH ME. YOU TWO, AROUND BACK. 815 00:57:48,203 --> 00:57:49,857 RIGHT. LET'S GO. 816 00:57:49,901 --> 00:57:51,621 TAKE IT AROUND THE OTHER SIDE OF THE GARAGE. 817 00:57:57,691 --> 00:57:58,779 RIGHT. 10-4. 818 00:57:58,823 --> 00:58:00,433 RIGHT. 819 00:58:00,477 --> 00:58:02,870 THE FIRST SOUND WAS ABOUT 20... 20 MINUTES. 820 00:58:02,914 --> 00:58:05,003 HE CAME IN. 821 00:58:05,046 --> 00:58:06,526 HANG ON. 822 00:58:06,570 --> 00:58:08,136 THEY WANT US TO MOVE CHECKPOINTS. 823 00:58:08,180 --> 00:58:11,531 Boy: SHE IS SMOKIN'. Boy 824 00:58:11,575 --> 00:58:12,793 THAT GIRL IS SO OFF THE HOOK. 825 00:58:12,837 --> 00:58:14,142 WHAT ARE YOU GONNA DO ABOUT THAT? 826 00:58:14,186 --> 00:58:15,840 I'M GONNA GET SOME OF THAT. 827 00:58:15,883 --> 00:58:18,495 HEY, CHECK IT OUT. HEY. WELL, LOOKEE WHO IT IS. 828 00:58:18,538 --> 00:58:20,758 REMEMBER ME FROM THE PARTY, HUH? 829 00:58:23,935 --> 00:58:25,980 PAYBACK'S A BITCH, ISN'T IT? 830 00:58:31,029 --> 00:58:33,988 THERE HE GOES! 831 00:58:34,032 --> 00:58:35,903 HEY, COME BACK HERE! 832 00:58:45,826 --> 00:58:47,567 Hi, this is Kay Weller. 833 00:58:47,611 --> 00:58:49,569 Please leave a message and I'll get back to you. 834 00:58:49,613 --> 00:58:52,616 KAY, IT'S ME. 835 00:58:52,659 --> 00:58:55,575 THERE WAS NO SAFE. 836 00:58:55,619 --> 00:58:57,751 I'M AT THE MEETING PLACE. 837 00:58:57,795 --> 00:59:00,493 GIVE ME A CALL BACK. 838 00:59:20,644 --> 00:59:23,429 THE SAFE'S BEHIND THAT BIG PICTURE IN THE WALL, ISN'T IT? 839 00:59:23,472 --> 00:59:25,736 YEAH. 840 00:59:39,184 --> 00:59:41,490 David, it's now confirmed that the body found 841 00:59:41,534 --> 00:59:43,841 at 14 Adamson is indeed that 842 00:59:43,884 --> 00:59:46,670 of Valley Spire College Dean Dr. John Weller. 843 00:59:46,713 --> 00:59:48,280 The revered physics laureate 844 00:59:48,323 --> 00:59:50,543 was apparently smothered in his bed. 845 00:59:50,587 --> 00:59:53,372 Sources close to campus security haven't ruled out murder. 846 00:59:53,415 --> 00:59:56,070 Now as we told you earlier in the newscast, 847 00:59:56,114 --> 00:59:58,507 Valley Spire College freshman Cole Hurley 848 00:59:58,551 --> 01:00:00,466 is now wanted for questioning 849 01:00:00,509 --> 01:00:02,816 after authorities released these images 850 01:00:02,860 --> 01:00:05,210 captured on home security. 851 01:00:15,133 --> 01:00:17,831 Anyone with information on Hurley's whereabouts 852 01:00:17,875 --> 01:00:20,181 is urged to contact the police. 853 01:00:20,225 --> 01:00:22,444 Back to you. Marty? 854 01:00:27,841 --> 01:00:29,887 POLICE! OPEN UP! 855 01:00:29,930 --> 01:00:32,541 OPEN IT. 856 01:00:37,982 --> 01:00:40,027 OH. THE WINDOW, COME ON. 857 01:01:05,531 --> 01:01:07,533 I LOVE YOU, KAY. 858 01:01:17,238 --> 01:01:18,849 Cole: SECURITY CAMERAS? 859 01:01:18,892 --> 01:01:21,373 NONE. 860 01:01:21,416 --> 01:01:25,464 BUT THE ALARM HAS TO BE DEACTIVATED WITHIN 30 SECONDS 861 01:01:25,507 --> 01:01:27,988 OR IT ALERTS CAMPUS SECURITY. 862 01:01:31,209 --> 01:01:33,124 NO SECURITY CAMERAS. 863 01:01:38,607 --> 01:01:40,697 SHE SAID NO SECURITY CAMERAS. 864 01:01:55,320 --> 01:01:57,714 Robbery/homicide. Detective Weiss. 865 01:01:57,757 --> 01:02:01,021 I NEED TO SPEAK TO DETECTIVE DEIRDRE CLEMONS, SEVENTH PRECINCT. 866 01:02:01,065 --> 01:02:03,197 IT'S COLE HURLEY. 867 01:02:03,241 --> 01:02:05,765 IF I DON'T TALK TO HER IN 10 SECONDS, I'M HANGING UP THE PHONE. 868 01:02:05,809 --> 01:02:08,594 COLE HURLEY ON 3! YEAH, I GOT IT. 869 01:02:10,639 --> 01:02:12,990 COLE? YEAH, IT'S ME. 870 01:02:13,033 --> 01:02:15,775 WHERE ARE YOU? I DIDN'T KILL HIM, I SWEAR. 871 01:02:15,819 --> 01:02:17,211 All I did was break in. 872 01:02:17,255 --> 01:02:19,213 YOU SHOULD GET AHOLD OF KAY WELLER, HIS WIFE. 873 01:02:19,257 --> 01:02:21,389 SHE'LL EXPLAIN EVERYTHING. 874 01:02:21,433 --> 01:02:22,869 HELLO? 875 01:02:22,913 --> 01:02:24,566 KAY WELLER CONTACTED US 876 01:02:24,610 --> 01:02:27,047 AFTER SEEING YOUR FACE ON TV. 877 01:02:27,091 --> 01:02:29,484 SHE CLAIMS YOU'VE BEEN FOLLOWING HER. WHAT? 878 01:02:29,528 --> 01:02:33,053 YEAH, SHE SAYS YOU SHOWED UP AT A STUDENT/FACULTY PARTY UNINVITED, 879 01:02:33,097 --> 01:02:35,099 THAT YOU'VE BEEN HARASSING HER OUTSIDE OF CLASS. 880 01:02:35,142 --> 01:02:36,187 No no no. 881 01:02:36,230 --> 01:02:38,624 THE BURGLARY... IT WAS OUR IDEA. 882 01:02:38,667 --> 01:02:40,123 SHE SAID THERE WAS A SAFE IN THE STUDY. 883 01:02:40,147 --> 01:02:41,453 THAT'S WHY I WAS AT THE HOUSE. 884 01:02:41,496 --> 01:02:43,760 I'VE BEEN TO THE HOUSE, COLE. 885 01:02:43,803 --> 01:02:46,763 THERE IS NO SAFE, JUST ONE DEAD BODY. 886 01:02:46,806 --> 01:02:48,416 LISTEN TO ME, COLE. 887 01:02:48,460 --> 01:02:52,507 KAY WELLER GAVE US A BLOUSE THAT HAD BLOOD ON IT. 888 01:02:52,551 --> 01:02:55,162 THE D.N.A. TEST CAME BACK POSITIVE FOR YOU. 889 01:02:55,206 --> 01:02:56,816 She said that you attacked her, 890 01:02:56,860 --> 01:02:58,949 THAT YOU THREATENED TO KILL HER IF SHE TOLD. 891 01:02:58,992 --> 01:03:00,689 NO NO, I SAVED HER FROM AN ATTACKER. 892 01:03:00,733 --> 01:03:02,691 DO YOU DENY THAT IT'S YOUR BLOOD? 893 01:03:02,735 --> 01:03:05,651 NO, BUT IT'S NOT WHAT YOU THINK, 894 01:03:05,694 --> 01:03:08,045 OFFICER CLEMONS. 895 01:03:08,088 --> 01:03:09,960 DEIRDRE, YOU HAVE TO BELIEVE ME. 896 01:03:10,003 --> 01:03:11,483 COLE, ALL I KNOW RIGHT NOW 897 01:03:11,526 --> 01:03:15,095 IS THAT KAY WELLER IS SCARED FOR HER LIFE 898 01:03:15,139 --> 01:03:17,184 AND THERE'S NOWHERE LEFT FOR YOU TO RUN. 899 01:03:17,228 --> 01:03:19,099 You know I want to help you. 900 01:03:19,143 --> 01:03:21,101 TELL ME WHERE YOU ARE. 901 01:03:23,147 --> 01:03:24,670 COLE? 902 01:03:25,758 --> 01:03:27,629 COLE? 903 01:03:57,921 --> 01:04:00,140 AHH! 904 01:04:00,184 --> 01:04:02,577 WHAT UP, BITCH, HUH? 905 01:04:02,621 --> 01:04:04,492 AHH! YOU KNOW, I THOUGHT I WAS SEEING THINGS 906 01:04:04,536 --> 01:04:07,234 WHEN I SAW YOUR SORRY ASS WALKING BACK UP IN HERE. 907 01:04:07,278 --> 01:04:08,932 IT'S NICE TO KNOW YOU HAVEN'T FORGOTTEN 908 01:04:08,975 --> 01:04:10,803 ABOUT THE OLD RAT CRIB, HUH, COLE? 909 01:04:10,847 --> 01:04:13,066 'CAUSE IT SURE AS HELL HASN'T FORGOTTEN ABOUT YOU. 910 01:04:13,110 --> 01:04:14,502 AW, COME ON, COLE. 911 01:04:14,546 --> 01:04:16,504 IT DON'T HURT THAT MUCH... 912 01:04:16,548 --> 01:04:18,724 NOT AS MUCH AS THIS ONE'S GONNA. 913 01:04:20,726 --> 01:04:22,859 YOU KNOW, IT'S A BAD SHAME LEAVING YOUR ASS 914 01:04:22,902 --> 01:04:26,297 IN THE DUST LAST TIME, BUT I GOT TO MAKE MY MOVE, SON. 915 01:04:26,340 --> 01:04:28,690 5-0'S GONNA BE HERE SOON ENOUGH. 916 01:04:28,734 --> 01:04:30,779 I'M GONNA CASH IN ON YOUR REWARD. 917 01:04:30,823 --> 01:04:32,259 YEAH! 918 01:04:32,303 --> 01:04:35,219 10 GRAND GETS YOU A WHOLE LOT OF SPEEDBALL. 919 01:04:35,262 --> 01:04:40,006 YOU JUNKIE ASSHOLE. WE ALL GOT ISSUES, ALL RIGHT? 920 01:04:40,050 --> 01:04:42,443 CONTROLLED-SUBSTANCE ABUSE IS A FAR-ASS CRY 921 01:04:42,487 --> 01:04:44,271 THAN SNUFFING SOME WHITE BREAD. 922 01:04:44,315 --> 01:04:47,492 NAH, I'M AFRAID I JUST CAN'T DO THAT TO YOU, COLE. 923 01:04:47,535 --> 01:04:51,061 YOU'RE TOO DANGEROUS. 924 01:04:51,104 --> 01:04:52,671 YOU'D BETTER SHUT THEM EYES 925 01:04:52,714 --> 01:04:54,891 'CAUSE IT'S BEDDY-BYE TIME. 926 01:05:02,724 --> 01:05:05,684 OH SHIT, COLE! COLE! 927 01:05:21,787 --> 01:05:25,008 GOOD EYES, ASSHOLE. 928 01:06:27,940 --> 01:06:30,029 HEY. 929 01:06:30,073 --> 01:06:32,945 HEY. HI. 930 01:06:32,989 --> 01:06:35,208 DO YOU RECOGNIZE ME? YEAH. 931 01:06:35,252 --> 01:06:38,255 YOU'RE THE GUY THAT THE COPS ARE LOOKING FOR, RIGHT? 932 01:06:38,298 --> 01:06:41,823 LISTEN, IF YOU WANT ANYTHING... YOU'VE SEEN ME BEFORE. 933 01:06:41,867 --> 01:06:44,043 YEAH, ON, UH... ON THE TV. 934 01:06:44,087 --> 01:06:46,524 NOT ON TV. HERE, ABOUT A WEEK AGO. 935 01:06:46,567 --> 01:06:48,178 I CAME IN WITH A WOMAN. 936 01:06:48,221 --> 01:06:50,310 YOU DID THE WHOLE HOT-FOR-TEACHER ROUTINE. 937 01:06:50,354 --> 01:06:52,506 NO, I DON'T THINK SO. MAYBE YOU HAVE ME CONFUSED WITH... 938 01:06:52,530 --> 01:06:54,053 WAIT WAIT. LISTEN TO ME. LISTEN TO ME. 939 01:06:54,097 --> 01:06:56,273 I AM BEING FRAMED FOR MURDER, OKAY? 940 01:06:56,316 --> 01:06:58,188 AND THE WOMAN DENIES SHE EVEN KNOWS WHO I AM! 941 01:06:58,231 --> 01:07:00,842 SHE'S THE ONE WHO PAID YOU TO DO THE WHOLE TEACHER ROUTINE! 942 01:07:00,886 --> 01:07:02,757 NO. NO, WAIT WAIT WAIT. 943 01:07:02,801 --> 01:07:05,499 NOW YOU'RE THE ONLY PERSON THAT CAN TESTIFY TO THIS, OKAY? 944 01:07:05,543 --> 01:07:07,588 I DON'T KNOW. WAIT WAIT WAIT, NO! 945 01:07:07,632 --> 01:07:09,068 NO NO, WAIT! LET ME GO! 946 01:07:09,112 --> 01:07:12,028 EDDIE, OPEN THE DOOR! OPEN IT! 947 01:07:15,161 --> 01:07:16,467 Eddie: HEY! 948 01:07:18,643 --> 01:07:19,948 COME ON, COME ON. 949 01:07:19,992 --> 01:07:21,820 HEY! 950 01:07:21,863 --> 01:07:25,302 COME BACK! COME BACK! 951 01:07:47,541 --> 01:07:50,457 TONY, COME WITH ME! YOU, COME WITH ME. YOU TWO, AROUND BACK. 952 01:07:50,501 --> 01:07:51,980 RIGHT. LET'S GO. 953 01:07:52,024 --> 01:07:54,722 HOW COULD THEIR RESPONSE HAVE BEEN SO FAST? 954 01:08:17,049 --> 01:08:19,051 WHERE YOU AT? WHERE YOU AT? 955 01:08:19,095 --> 01:08:20,705 WHERE YOU AT? WHERE YOU... 956 01:08:20,748 --> 01:08:22,446 AHH! SHH! 957 01:08:22,489 --> 01:08:25,927 I DIDN'T KILL HIM, I SWEAR. I BELIEVE YOU, MAN. 958 01:08:25,971 --> 01:08:28,060 I MEAN, YO, YOU MAY BE A DICK SOMETIMES, 959 01:08:28,104 --> 01:08:30,367 BUT YOU SURE AS HELL AIN'T A KILLER. 960 01:08:30,410 --> 01:08:32,369 YOU ALL RIGHT? YEAH. 961 01:08:32,412 --> 01:08:34,197 LOOK, THIS WHOLE CAMPUS IS ON RED ALERT. 962 01:08:34,240 --> 01:08:36,262 AND THEY'RE TURNING THIS PLACE UPSIDE DOWN LOOKING FOR YOU. 963 01:08:36,286 --> 01:08:38,679 TELL ME ABOUT IT. WHAT'S UP WITH DR. WELLER? 964 01:08:38,723 --> 01:08:41,987 SHE'S GONE. SHE TOOK A SABBATICAL WHEN HER OLD MAN TURNED UP DEAD. 965 01:08:42,030 --> 01:08:43,771 NOBODY KNOWS WHERE SHE'S HOLING UP. 966 01:08:43,815 --> 01:08:45,662 AND POLICE AREN'T EXACTLY GIVING OUT DETAILS EITHER. 967 01:08:45,686 --> 01:08:47,079 WELL, WHAT DID YOU TELL THEM? 968 01:08:47,123 --> 01:08:48,776 MAN, I TOLD THEM JENO'S PIZZA ROLLS 969 01:08:48,820 --> 01:08:50,778 GIVES YOU GAS AND YOU OWE ME $5. 970 01:08:50,822 --> 01:08:52,693 OTHER THAN THAT, I'M AT A LOSS. 971 01:08:52,737 --> 01:08:55,194 LISTEN, DAWG, WHATEVER YOU GOT COOKING UP IN THAT BRAIN OF YOURS, 972 01:08:55,218 --> 01:08:56,543 YOU'D BETTER PUT IT ON THE GRILL FAST 973 01:08:56,567 --> 01:08:58,066 BECAUSE THERE IS A LOT OF PEOPLE AROUND HERE 974 01:08:58,090 --> 01:08:59,396 CONVINCED THAT YOU KILLED A MAN. 975 01:08:59,439 --> 01:09:01,702 DO ME A FAVOR? YOU NEED SOME MONEY? 976 01:09:01,746 --> 01:09:03,617 FOR STARTERS. 977 01:09:03,661 --> 01:09:05,706 HERE, TAKE IT ALL. 978 01:09:05,750 --> 01:09:08,187 THANKS, MAN. 979 01:09:08,231 --> 01:09:10,233 WHAT ELSE YOU NEED? YOU HAVE THAT VIDEOPHONE? 980 01:09:10,276 --> 01:09:12,409 THIS ONE? YEAH, THAT'S IT. 981 01:09:12,452 --> 01:09:14,454 PERFECT. 982 01:09:16,848 --> 01:09:19,851 THESE ARE CUTE. HEY, I WANT THOSE BACK. 983 01:09:19,894 --> 01:09:22,027 THAT'S GREAT. NOW YOU LOOK LIKE THE UNABOMBER. 984 01:09:22,070 --> 01:09:24,029 GIVE ME YOUR WATCH. ARE YOU SERIOUS? 985 01:09:24,072 --> 01:09:25,944 NO. OH, YOU IDIOT. 986 01:09:25,987 --> 01:09:28,120 WISH ME LUCK. ALL RIGHT, BRO. 987 01:09:28,164 --> 01:09:30,644 YOU WATCH YOUR ASS. I WILL. 988 01:10:07,159 --> 01:10:08,726 THAT'S KAY'S CAR. 989 01:12:16,419 --> 01:12:18,334 MY GOD, YOU SCARED ME! 990 01:12:29,954 --> 01:12:32,609 IDIOT! 991 01:12:32,652 --> 01:12:34,262 THIS BIKINI COST ME $600. 992 01:12:34,306 --> 01:12:36,106 WELL, NOW YOU CAN AFFORD A NEW ONE, CAN'T YOU? 993 01:12:36,134 --> 01:12:37,875 THAT'S NOT THE POINT! 994 01:12:37,918 --> 01:12:40,225 I DON'T LIKE BEING SURPRISED. 995 01:12:40,268 --> 01:12:42,749 BESIDES, YOU WEREN'T SUPPOSED TO BE HERE FOR ANOTHER HOUR. 996 01:12:42,793 --> 01:12:45,404 I GOT DONE EARLY. 997 01:12:45,448 --> 01:12:47,319 WRAPPED UP THE STATEMENT, TRAFFIC WAS GOOD. 998 01:12:47,363 --> 01:12:49,036 WHAT THE HELL DIFFERENCE DOES IT MAKE, ANYWAY? 999 01:12:49,060 --> 01:12:51,192 THE DIFFERENCE IS THAT WE'RE ON A SCHEDULE. 1000 01:12:51,236 --> 01:12:52,846 ANY DEVIATION PUTS US AT RISK. 1001 01:12:52,890 --> 01:12:55,327 SORRY. 1002 01:12:55,371 --> 01:12:59,113 ARE YOU JUST GONNA STAND THERE OR ARE YOU GONNA HELP ME? 1003 01:13:03,553 --> 01:13:07,339 I WAS JUST HOPING 1004 01:13:07,383 --> 01:13:10,908 THAT YOU'D BE HAPPIER TO SEE ME, THAT'S ALL. 1005 01:13:10,951 --> 01:13:13,214 I AM. 1006 01:13:13,258 --> 01:13:16,479 I JUST DON'T WANT ANY MORE VARIABLES IN THE MIX. 1007 01:13:16,522 --> 01:13:18,481 I'M SORRY FOR BUSTING YOUR BALLS, WES. 1008 01:13:18,524 --> 01:13:20,439 YOU BUSTED MY FACE. MY BALLS ARE FINE. 1009 01:13:20,483 --> 01:13:23,399 I'LL BE THE JUDGE OF THAT. 1010 01:13:30,493 --> 01:13:32,146 ENOUGH ENOUGH. 1011 01:13:32,190 --> 01:13:34,235 THE DOG WILL GET HIS BONE ONCE WE'RE AIRBORNE. 1012 01:13:34,279 --> 01:13:35,628 SO THE BEECHCRAFT'S READY, THEN? 1013 01:13:35,672 --> 01:13:37,238 THE FLIGHT INFO WAS FILED THIS MORNING. 1014 01:13:37,282 --> 01:13:39,066 I TOLD YOU, EVERYTHING IS BY THE BOOK. 1015 01:13:39,110 --> 01:13:41,504 WE'LL BE IN MEXICO IN A FEW HOURS. 1016 01:13:41,547 --> 01:13:43,027 AND THE OFFSHORE ACCOUNTS? 1017 01:13:43,070 --> 01:13:44,724 THE TRANSFER OF THE TRUST IS IMMEDIATE. 1018 01:13:44,768 --> 01:13:46,378 EVERYTHING ELSE HAS BEEN WIRED ALREADY. 1019 01:13:46,422 --> 01:13:48,162 THE ONLY THING MISSING FROM OUR PLAN 1020 01:13:48,206 --> 01:13:51,078 IS THAT MY FAVORITE STUDENT IS STILL ABSENT. 1021 01:13:51,122 --> 01:13:53,429 YOU KNOW, THAT LITTLE PUNK WAS QUICKER THAN I EXPECTED. 1022 01:13:53,472 --> 01:13:55,518 I TOLD YOU COLE KNEW HIS WAY AROUND A BREAK-IN. 1023 01:13:55,561 --> 01:13:57,563 YOU CAN SMOTHER MY STUPID HUSBAND, 1024 01:13:57,607 --> 01:13:59,846 BUT YOU CAN'T WAIT AROUND A STREET CORNER AND BAG THE PATSY? 1025 01:13:59,870 --> 01:14:02,786 I SHOULD TEACH A CLASS ON HUMAN INEPTNESS, CITING YOU. 1026 01:14:02,829 --> 01:14:04,807 NO, LISTEN TO ME FOR A SECOND. NO, YOU LISTEN TO ME! 1027 01:14:04,831 --> 01:14:08,052 THE ONLY MISSTEP IN OUR PERFECT PLAN WAS YOURS. 1028 01:14:08,095 --> 01:14:10,446 YOU'RE LUCKY THAT THE COPS HAVE HIM ON THE RUN. 1029 01:14:10,489 --> 01:14:12,404 WHAT IF SOMEONE SAW ME? 1030 01:14:12,448 --> 01:14:15,929 I DID YOUR POOR HUSBAND IN 20 MINUTES BEFORE HURLEY EVEN BROKE IN. 1031 01:14:15,973 --> 01:14:18,584 MAYBE HE HAS EXTRA CAMERAS WE DON'T KNOW ABOUT. 1032 01:14:18,628 --> 01:14:22,849 NO, MAYBE, MAYBE... MAYBE YOU'RE THINKING TOO MUCH. 1033 01:14:22,893 --> 01:14:26,244 LOOK, JUST DO EVERYTHING I SAY 1034 01:14:26,287 --> 01:14:29,160 AND ALL OF OUR DREAMS WILL COME TRUE. 1035 01:14:29,203 --> 01:14:31,597 OKAY? 1036 01:14:43,914 --> 01:14:46,133 SORRY ABOUT THAT EYE. 1037 01:14:46,177 --> 01:14:48,135 I HATED HAVING TO DO THAT. 1038 01:14:48,179 --> 01:14:51,312 WELL, YOU WERE UNDER ORDERS BY ME, 1039 01:14:51,356 --> 01:14:53,314 AND IT WORKED OUT BEAUTIFULLY. 1040 01:15:14,510 --> 01:15:16,120 GIVE ME THE KEYS. I'M DRIVING. 1041 01:15:30,526 --> 01:15:32,092 LET'S GO ALREADY. 1042 01:15:55,551 --> 01:15:57,596 SURE THERE'S NO ONE IN THE TOWER? 1043 01:15:57,640 --> 01:15:59,206 AIRPORT RULES ON THE WEEKENDS: 1044 01:15:59,250 --> 01:16:00,338 WE FLY OURSELVES OUT. 1045 01:16:00,381 --> 01:16:03,471 THAT'S A BEAUTIFUL THING. 1046 01:16:03,515 --> 01:16:06,997 IS THAT YOUR PLANE? THIS IS IT. 1047 01:16:49,561 --> 01:16:51,650 UM, WES, YOU MIGHT WANT TO TURN AROUND. 1048 01:16:51,694 --> 01:16:55,001 SON OF A... 1049 01:16:56,742 --> 01:17:00,398 S.U.V.s, AUTOMATIC CAR LOCKS... 1050 01:17:00,441 --> 01:17:02,487 IS THERE ANYTHING YOU CAN'T BREAK INTO, COLE? 1051 01:17:02,530 --> 01:17:05,229 YOU KNOW, I KNEW THE KID WAS STUPID, BUT DAMN! 1052 01:17:05,272 --> 01:17:08,232 TO ACTUALLY SERVE HIMSELF UP ON A SILVER PLATTER... 1053 01:17:08,275 --> 01:17:11,017 BOY, YOU JUST MADE MY JOB A WHOLE LOT EASIER. 1054 01:17:13,454 --> 01:17:15,374 THERE WAS NEVER ANY GETAWAY CASH, WAS THERE, KAY? 1055 01:17:15,413 --> 01:17:16,608 THE PLAN WAS TO KILL YOUR HUSBAND, 1056 01:17:16,632 --> 01:17:18,111 TAKE HIS INSURANCE AND TRUST. 1057 01:17:18,155 --> 01:17:19,852 YOU JUST NEEDED SOMEONE TO SET IT UP. 1058 01:17:19,896 --> 01:17:22,115 AND, MAN, DID I FIND THE RIGHT GUY. 1059 01:17:22,159 --> 01:17:25,162 OH, COME ON, COLE. DON'T ACT SO INNOCENT. 1060 01:17:25,205 --> 01:17:27,077 YOU KNOW YOU ENJOYED THE EDUCATION. 1061 01:17:27,120 --> 01:17:28,905 THIS ISN'T A CLASSROOM. 1062 01:17:28,948 --> 01:17:30,689 A MAN'S DEAD AND I'M LOOKING AT HIS KILLERS. 1063 01:17:30,733 --> 01:17:32,343 MAKE THAT ONE KILLER. 1064 01:17:32,386 --> 01:17:35,172 I DIDN'T TOUCH ONE HAIR ON HIS BRAINY LITTLE HEAD. 1065 01:17:35,215 --> 01:17:38,044 BUT WES HERE SEEMS TO BE AN EXPERT IN THE PROFESSION. 1066 01:17:38,088 --> 01:17:39,959 WHY THE CHRIST ARE WE TALKING ABOUT THIS? 1067 01:17:40,003 --> 01:17:42,111 JUST FINISH THE BASTARD AND LET'S GET THE HELL OUT OF HERE! 1068 01:17:42,135 --> 01:17:43,876 COME ON, MAN, SHE'S USING US... 1069 01:17:43,920 --> 01:17:46,270 YOU FOR THE DEED, ME TO BLAME! 1070 01:17:46,313 --> 01:17:47,967 WE CAN BOTH COME CLEAN! 1071 01:17:48,011 --> 01:17:50,840 SON, I AM A LONG WAY FROM CLEAN. 1072 01:17:50,883 --> 01:17:52,624 BUT $4 MILLION... 1073 01:17:52,668 --> 01:17:54,167 THAT BUYS ME A RIGHT WASH, NOW, DOESN'T IT? 1074 01:17:54,191 --> 01:17:56,976 CLOSE YOUR EYES AND I'LL MAKE THIS QUICK. 1075 01:17:57,020 --> 01:18:01,024 ISN'T THAT RIGHT, KAY? HE'LL NEVER SEE IT COMING. 1076 01:18:01,067 --> 01:18:02,808 AHH! 1077 01:18:08,074 --> 01:18:10,337 YOU WANTED... 1078 01:18:10,381 --> 01:18:12,296 YOU WANTED TO LEARN ABOUT HUMAN NATURE, COLE. 1079 01:18:12,339 --> 01:18:13,863 I WANTED TO KNOW THE TRUTH. 1080 01:18:13,906 --> 01:18:16,474 OKAY, COLE... STOP! GET ON THE GROUND. 1081 01:18:16,517 --> 01:18:18,606 THERE'S SO MUCH THAT I CAN TEACH YOU. 1082 01:18:18,650 --> 01:18:20,260 THIS ISN'T SOME GODDAMN FORUM. 1083 01:18:20,304 --> 01:18:24,743 PASS OR FAIL, I QUIT. IT'S TOO LATE. 1084 01:18:24,787 --> 01:18:26,832 "7-ELEVEN SHOPLIFTER 1085 01:18:26,876 --> 01:18:29,182 GRADUATES TO FULL-FLEDGED MURDERER." 1086 01:18:29,226 --> 01:18:31,750 YOU JUST MADE HEAD OF THE CLASS. 1087 01:18:31,794 --> 01:18:33,970 THAT'S FUNNY... I NEVER TOLD YOU I CLIPPED A 7-ELEVEN. 1088 01:18:34,013 --> 01:18:35,667 HOW MUCH DO YOU KNOW ABOUT ME? 1089 01:18:35,711 --> 01:18:38,191 MORE THAN SHE'D CARE TO. 1090 01:18:38,235 --> 01:18:41,020 I DO THINK YOU SHOULD DROP THAT GUN NOW, COLE. 1091 01:18:46,417 --> 01:18:47,897 COLE AND I WERE JUST HAVING 1092 01:18:47,940 --> 01:18:50,987 A LITTLE STUDENT/TEACHER CONFERENCE. 1093 01:18:51,030 --> 01:18:53,772 I WAS AROUND THE CORNER LISTENING. 1094 01:18:53,816 --> 01:18:56,906 ON MY JOB THEY CALL IT "SURVEILLANCE." 1095 01:18:56,949 --> 01:18:58,690 COLE, COLE, COLE... 1096 01:18:58,734 --> 01:19:00,779 NO MATTER HOW MUCH I TRY TO HELP YOU, 1097 01:19:00,823 --> 01:19:02,520 YOU CAN'T KEEP YOUR HEAD ABOVE THE GARBAGE. 1098 01:19:02,563 --> 01:19:04,130 YOU WERE IN ON THIS SINCE THE BEGINNING. 1099 01:19:04,174 --> 01:19:06,959 VALLEY SPIRE, THE WHOLE SPONSOR MENTORSHIP... 1100 01:19:07,003 --> 01:19:09,875 I JUST HAPPENED TO BE AT THE OFFICE AT THE RIGHT TIME. 1101 01:19:09,919 --> 01:19:12,008 WOW. I'M IMPRESSED. 1102 01:19:12,051 --> 01:19:14,706 I MEAN, HE'S LEARNING SOMETHING HERE. 1103 01:19:14,750 --> 01:19:16,490 SEE, I TOLD YOU, COLE... 1104 01:19:16,534 --> 01:19:19,363 EVERYTHING RIGHTS ITSELF IN THE END. 1105 01:19:19,406 --> 01:19:23,236 BUT I CAN'T TAKE FULL CREDIT FOR THIS. 1106 01:19:23,280 --> 01:19:27,197 I HAVE TO GIVE EXTRA CREDIT TO DR. WELLER. 1107 01:19:27,240 --> 01:19:29,677 OFFICER, YOU KNOW I HATE IT 1108 01:19:29,721 --> 01:19:31,157 WHEN YOU ADDRESS ME SO FORMALLY. 1109 01:19:31,201 --> 01:19:33,203 I'M SO SORRY, BABY. 1110 01:19:36,423 --> 01:19:39,905 A GUN AND A BADGE. 1111 01:19:39,949 --> 01:19:41,820 YOU PUT THE MUZZLE ON THE STRIPPER. 1112 01:19:41,864 --> 01:19:44,040 EX-JUNKIES DON'T WANT TO GO BACK TO JAIL. 1113 01:19:44,083 --> 01:19:46,303 AND THE BOUNCER? OH, WELL... 1114 01:19:46,346 --> 01:19:49,219 THAT'S JUST OUR FRIENDLY CAMPUS RAPIST. 1115 01:19:53,092 --> 01:19:54,267 COME ON. HEY! 1116 01:19:59,577 --> 01:20:02,188 I KNEW I COULD TEACH YOU CONTROL, COLE. 1117 01:20:02,232 --> 01:20:04,800 BUT I NEEDED TO KNOW YOU COULD HANDLE EVERYTHING ELSE. 1118 01:20:04,843 --> 01:20:06,192 RIGHT, AND THE BLOOD SAMPLE, 1119 01:20:06,236 --> 01:20:08,760 YOUR BLOOD SAMPLE, WAS OUR INSURANCE POLICY. 1120 01:20:08,804 --> 01:20:10,109 SEE, KAY WAS RIGHT. 1121 01:20:10,153 --> 01:20:12,242 WE DIDN'T WANT ANYTHING TO HAPPEN TO YOU. 1122 01:20:12,285 --> 01:20:14,916 THIS GUY, THIS BASTARD, WE WERE GONNA KILL HIM AND THROW HIM IN THE STICKS. 1123 01:20:14,940 --> 01:20:17,856 BUT YOU... NO, WE WANTED TO SPARE YOU. 1124 01:20:17,900 --> 01:20:21,599 I MEAN, YOU WERE GONNA END UP IN JAIL BUT... 1125 01:20:21,642 --> 01:20:23,253 AT LEAST YOU WOULD BE ALIVE. 1126 01:20:23,296 --> 01:20:26,212 AND I'M SURE YOUR GRANDMOTHER WOULD BE PLEASED. 1127 01:20:26,256 --> 01:20:28,345 DON'T YOU EVER TALK ABOUT MY FAMILY! 1128 01:20:30,303 --> 01:20:34,220 DON'T YOU EVER RAISE YOUR VOICE TO A POLICE OFFICER. 1129 01:20:34,264 --> 01:20:36,135 FOR WHAT IT'S WORTH, COLE, 1130 01:20:36,179 --> 01:20:38,877 THE EXTRACURRICULAR WAS WELL ABOVE AVERAGE. 1131 01:20:38,921 --> 01:20:41,271 MUCH APPRECIATED. 1132 01:20:41,314 --> 01:20:44,274 WELL THEN, YOU'LL APPRECIATE THAT WE HAVE TO GO. 1133 01:20:44,317 --> 01:20:48,321 COLE, TRULY YOU WERE AN AMAZING STUDENT. 1134 01:20:48,365 --> 01:20:51,281 YOU DID EVERYTHING I NEEDED YOU TO DO. 1135 01:20:51,324 --> 01:20:52,978 SO WHICH ONE GETS THE GRADE FIRST? 1136 01:20:53,022 --> 01:20:54,806 DOESN'T MATTER TO ME. 1137 01:20:57,853 --> 01:21:00,116 YOU SHOULD LOOK AWAY FOR THIS. 1138 01:21:00,159 --> 01:21:03,032 EXECUTIONS ARE REALLY HARD TO WATCH. 1139 01:21:03,075 --> 01:21:05,686 BITCHES! 1140 01:21:05,730 --> 01:21:07,819 DEIRDRE! 1141 01:21:09,690 --> 01:21:11,649 HANDS UP. PUT IT DOWN, KAY. IT'S OVER. 1142 01:21:11,692 --> 01:21:13,825 PERHAPS YOU DON'T SEE THE GUN THAT I'M HOLDING. 1143 01:21:13,869 --> 01:21:15,324 I GUESS YOU DIDN'T SEE THE FACT THAT I PUT 1144 01:21:15,348 --> 01:21:16,959 THE SAFETY SWITCH ON WHEN I GAVE IT BACK. 1145 01:21:17,002 --> 01:21:19,439 WHAT? 1146 01:21:19,483 --> 01:21:21,920 TURN AROUND. TURN AROUND! 1147 01:21:21,964 --> 01:21:24,488 OKAY. START WALKING. 1148 01:21:24,531 --> 01:21:25,924 ALL THIS FOR A BRICK OF CASH? 1149 01:21:25,968 --> 01:21:28,840 A FEW BRICKS, ACTUALLY. 1150 01:21:28,884 --> 01:21:31,165 MORE THAN THAT HUSBAND OF MINE WAS EVER GONNA LET ME HAVE. 1151 01:21:31,190 --> 01:21:34,802 A BIG HOUSE, A PRIVATE PLANE, THREE MONTHS OFF. 1152 01:21:34,846 --> 01:21:36,892 YOU DIDN'T EXACTLY SCREAM "FOOD STAMPS." 1153 01:21:36,935 --> 01:21:38,545 THE MONEY WAS QUITE IMMATERIAL. 1154 01:21:38,589 --> 01:21:41,809 THEN WHY'D YOU DO IT? BECAUSE I CAN. 1155 01:21:41,853 --> 01:21:43,942 AND SO CAN YOU. 1156 01:21:43,986 --> 01:21:45,509 IT'S NOT TOO LATE. 1157 01:21:45,552 --> 01:21:48,686 YOU, ME... RICH AND TOGETHER. 1158 01:21:48,729 --> 01:21:52,298 $4 MILLION CASH, 1159 01:21:52,342 --> 01:21:54,822 JUST LIKE WE ORIGINALLY PLANNED. 1160 01:21:54,866 --> 01:21:57,042 ALL OF THIS CAN BE YOURS. 1161 01:22:18,846 --> 01:22:21,980 STILL A CHEATER, COLE? BUT I'M NO MURDERER. 1162 01:22:22,024 --> 01:22:24,026 NO, YOU'RE NEITHER. 1163 01:22:24,069 --> 01:22:27,290 YOU'RE JUST STREET TRASH TOO STUPID TO SEE WHEN YOU HAVE A PERFECT OUT. 1164 01:22:27,333 --> 01:22:28,856 OH, YEAH? 1165 01:22:28,900 --> 01:22:31,337 I HAVE AN OUT, AND IT'S CALLED THE TRUTH. 1166 01:22:31,381 --> 01:22:32,991 OH, GOD, YOU'RE SO DENSE! 1167 01:22:33,035 --> 01:22:34,645 TAKE A LOOK AROUND YOU, COLE. 1168 01:22:34,688 --> 01:22:36,342 TWO BODIES, ONE IN THE MORGUE. 1169 01:22:36,386 --> 01:22:38,506 YOU REALLY THINK YOU'RE GETTING OUT OF THIS UNSCATHED? 1170 01:22:45,569 --> 01:22:47,832 SMILE FOR THE CAMERA, PROFESSOR. 1171 01:22:51,662 --> 01:22:57,189 Don't you ever raise your voice at a police officer again. 1172 01:22:57,233 --> 01:22:59,104 The difference is there's a schedule. 1173 01:22:59,148 --> 01:23:02,020 Anything that deviates from the schedule puts us at risk. 1174 01:23:21,126 --> 01:23:24,390 ♪ DON'T THROW IN THE TOWEL ♪ 1175 01:23:24,434 --> 01:23:27,263 ♪ LET ME DRY YOU OFF, I'LL SHOWER ♪ 1176 01:23:27,306 --> 01:23:30,396 ♪ YOU WITH LOVE AND THEN YOU'LL COWER ♪ 1177 01:23:30,440 --> 01:23:34,226 ♪ 'CAUSE I'M NOT HARD-HEARTED LIKE JACK BAUER ♪ 1178 01:23:45,629 --> 01:23:48,806 ♪ AND WHAT IS IT ABOUT THE TIME? ♪ 1179 01:23:48,849 --> 01:23:51,939 ♪ AND WHAT IS IT ABOUT THE PLACE? ♪ 1180 01:23:51,983 --> 01:23:56,422 ♪ AND WHAT IS IT ABOUT YOUR FACE ♪ 1181 01:23:56,466 --> 01:23:58,946 ♪ THAT KEEPS ME ON THE LINE? ♪ 1182 01:23:58,990 --> 01:24:00,905 ♪ AND WHAT IS IT ABOUT THE TIME? ♪ 1183 01:24:00,948 --> 01:24:03,995 ♪ AND WHAT IS IT ABOUT THE PLACE? ♪ 1184 01:24:04,039 --> 01:24:07,433 ♪ AND WHAT IS IT ABOUT YOUR FACE... ♪ 1185 01:24:07,477 --> 01:24:10,001 OH MY GOD. 1186 01:24:10,045 --> 01:24:12,612 COLE, WILL YOU LOOK AT THIS CHICK? 1187 01:24:12,656 --> 01:24:15,920 MAN, YOUR DEDICATION DISGUSTS THE HELL OUT OF ME. 1188 01:24:15,963 --> 01:24:21,665 WELL, ACTUALLY, I JUST FINISHED. 1189 01:24:21,708 --> 01:24:23,164 I DON'T EVEN KNOW WHY YOU'RE BOTHERING, MAN. 1190 01:24:23,188 --> 01:24:25,408 THAT CLASS IS LOCKED UP PERMANENTLY. 1191 01:24:25,451 --> 01:24:27,975 I MADE A PROMISE TO FINISH THIS NO MATTER WHERE IT TOOK ME. 1192 01:24:28,019 --> 01:24:31,718 YOU KNOW, THE THING IS... 1193 01:24:31,762 --> 01:24:33,827 I'VE NEVER HAD ANYBODY CHALLENGE ME AS MUCH AS SHE DID. 1194 01:24:33,851 --> 01:24:37,115 YEAH SURE. YOU KNOW, IF SHE WASN'T A COLD-BLOODED KILLER, 1195 01:24:37,159 --> 01:24:39,857 YOU PROBABLY COULD HAVE NOMINATED HER FOR MENTOR OF THE YEAR. 1196 01:24:39,900 --> 01:24:42,164 SHE HAD HER JOB AND I HAD MINE. 1197 01:24:42,207 --> 01:24:44,122 YOU KNOW, SPEAKING OF JOBS, 1198 01:24:44,166 --> 01:24:45,863 WE'VE GOT SOME MAJOR DECISIONS TO MAKE. 1199 01:24:45,906 --> 01:24:47,517 OH, WE DO? OH YEAH. 1200 01:24:47,560 --> 01:24:49,301 THIS RIGHT HERE IS SOME GOOD STUFF. 1201 01:24:49,345 --> 01:24:50,824 YOU KNOW HOW MUCH MONEY WE CAN MAKE? 1202 01:24:50,868 --> 01:24:53,479 COLE, I CAN SEE THE BOOK, THE MOVIE. 1203 01:24:53,523 --> 01:24:56,569 I CAN SEE THE POSTER. I DON'T KNOW ABOUT THAT. 1204 01:24:56,613 --> 01:24:58,441 WHAT YOU MEAN, YOU DON'T KNOW ABOUT IT? 1205 01:24:58,484 --> 01:25:00,593 COLE, DO YOU KNOW HOW MUCH MONEY WE ARE TALKING ABOUT? 1206 01:25:00,617 --> 01:25:02,923 BRO, WE COULD BE RICH AND FAMOUS! 1207 01:25:02,967 --> 01:25:04,403 OH YES, I'M LOVING THIS. 1208 01:25:04,447 --> 01:25:06,623 "WE"? OH, YEAH. COME ON. 1209 01:25:06,666 --> 01:25:08,712 WE'RE IN THIS TOGETHER, MAN, ALL RIGHT? 1210 01:25:08,755 --> 01:25:12,019 "FREAKY TEACHER INSTRUCTS STUDENTS 1211 01:25:12,063 --> 01:25:13,543 ON THE ART OF SEDUCTION." 1212 01:25:16,111 --> 01:25:17,547 WAIT A MINUTE. WHERE ARE YOU GOING? 1213 01:25:17,590 --> 01:25:19,157 WELL, FIRST THINGS FIRST. 1214 01:25:19,201 --> 01:25:22,639 I GOT TO HANDLE SOME UNFINISHED BUSINESS. 1215 01:25:22,682 --> 01:25:24,641 RICH AND FAMOUS, COLE! 1216 01:25:24,684 --> 01:25:26,295 RICH AND FAMOUS. 1217 01:25:28,166 --> 01:25:30,342 ♪ I DON'T KNOW 1218 01:25:30,386 --> 01:25:34,085 ♪ THE ONLY WORDS YOU'LL SAY ♪ 1219 01:25:34,129 --> 01:25:36,740 ♪ YOU KNOW I TOLD YOU 1220 01:25:36,783 --> 01:25:39,960 ♪ THAT I'M HERE TO STAY 1221 01:25:40,004 --> 01:25:42,615 ♪ AND I MEANT IT 1222 01:25:42,659 --> 01:25:46,141 ♪ I'M HERE TO STAY... 1223 01:25:49,187 --> 01:25:52,016 COLE. 1224 01:25:52,059 --> 01:25:54,932 LINDSEY. HEY. SORRY I'M LATE. 1225 01:25:54,975 --> 01:25:57,195 IT'S OKAY. I JUST GOT HERE. 1226 01:25:57,239 --> 01:25:58,892 READY FOR CLASS? 1227 01:25:58,936 --> 01:26:01,199 ABSOLUTELY. 1228 01:26:01,243 --> 01:26:03,941 ♪ AND WHAT IS IT ABOUT THE PLACE? ♪ 1229 01:26:03,984 --> 01:26:08,511 ♪ AND WHAT IS IT ABOUT YOUR FACE ♪ 1230 01:26:08,554 --> 01:26:10,643 ♪ THAT KEEPS ME ON THE LINE? ♪ 1231 01:26:10,687 --> 01:26:12,906 ♪ WHAT IS IT ABOUT THE TIME? ♪ 1232 01:26:12,950 --> 01:26:15,996 ♪ AND WHAT IS IT ABOUT THE PLACE? ♪ 1233 01:26:16,040 --> 01:26:20,566 ♪ AND WHAT IS IT ABOUT YOUR FACE ♪ 1234 01:26:20,610 --> 01:26:22,960 ♪ THAT KEEPS ME ON THE LINE? ♪